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Pewter was the metal of choice for household goods in England and America in the seventeenth and into the eighteenth centuries. Immense quantities of porringers, candlesticks, plates, and other items could be found on both sides of the Atlantic. The collection of British pewter at Colonial Williamsburg, which illustrates the development of basic forms and types of decoration, is remarkable for its breadth and detail. The collection also contains a number of American examples that often exhibit regional and individual preferences.
Presented for the first time, the richly illustrated findings of the Southeastern Massachusetts Furniture project at Winterthur Museum
Colonial Williamsburg's extensive collection of silver drinking vessels is the legacy of three distinct sensibilities and reflects different philosophies of collecting over six decades.
Jointly published by the National Gallery of Victoria and Macmillan Publishers Australia this book is the first publication to document in depth the nature, extent and history of the National Gallery of Victorias celebrated glass collection. Its author, and expert on the art of glass, Geoffrey Edwards, has selected the most magnificent works from the collection, each reproduced in colour, as the basis for a broader discussion of the history of glassmaking in the worlds leading production centres, from the ancient Mediterranean to the present day. With fine photographs by Garry Sommerfeld, this book provides a most spectacular visual array.
While demonstrating the high level of artistry attained by furniture-makers of the period, this selection in many ways reflects the evolving character of domestic life in America during a seminal period in the country's history.
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
Ten years after the 3rd edition this handbook has been totally rewritten to take into account legislative changes, the use of CAD techniques and new British Standards.
Illustrated catalog of Colonial Williamsburg's slipware collection. This publication examines English slip-decorated earthenwares, many of which have an almost folk-like quality in their naivety of form and decoration.
Material Culture and Sedition, 1688-1760 is a groundbreaking study of the ways in which material culture (and its associated designs, rituals and symbols) was used to avoid prosecution for treason and sedition in the British Isles. The fresh theoretical model it presents challenges existing accounts of the public sphere and consumer culture.
During 1867 Darwin intensified lines of research on human expression and sexual selection.