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In his new book, the eminent anthropologist Wyatt MacGaffey provides an ethnographically enriched history of Dagbon from the fifteenth century to the present, setting that history in the context of the regional resources and political culture of northern Ghana. Chiefs, Priests, and Praise-Singers shows how the history commonly assumed by scholars has been shaped by the prejudices of colonial anthropology, the needs of British indirect rule, and local political agency. The book demonstrates, too, how political agency has shaped the kinship system. MacGaffey traces the evolution of chieftaincy as the sources of power changed and as land ceased to be simply the living space of the dependents of a chief and became a commodity and a resource for development. The internal violence in Dagbon that has been a topic of national and international concern since 2002 is shown to be a product of the interwoven values of tradition, modern Ghanaian politics, modern education, and economic opportunism.
Lutete devoted much of his attention to aspects of Kongo ritual and religious belief, including minkisi and the rituals for the installation of chiefs. The original text of what he had to say about chiefship is printed, with translation notes. The work of other informants is also used."--BOOK JACKET.
John D. Garrigus provides a profound historical corrective, showing that enslaved Blacks in Saint-Domingue were hardly complacent before the Haitian Revolution. While scholars have looked beyond the island’s shores for the forces that inspired rebellion, Garrigus documents African resistance and political organizing decades before the 1791 revolt.
William C. Olsen, Walter E. A. van Beek, and the contributors to this volume seek to understand how Africans have confronted evil around them. Grouped around notions of evil as a cognitive or experiential problem, evil as malevolent process, and evil as an inversion of justice, these essays investigate what can be accepted and what must be condemned in order to evaluate being and morality in African cultural and social contexts. These studies of evil entanglements take local and national histories and identities into account, including state politics and civil war, religious practices, Islam, gender, and modernity.
In about 25 BC tribesmen of the kingdom of Meroe placed a bronze head of Augustus, cut from a full-length statue, beneath the steps of a temple of victory: the decapitated head of the Emperor was thus regularly trampled underfoot. Two millennia later, during the second Gulf War, Iraqis 'insulted' a toppled bronze statue of Saddam Hussein by beating it with their shoes. Do these chronologically distant but apparently related examples of the defamation of images imply that the persons represented were regarded by their detractors as in some way 'present' in the images? Presence: The Inherence of the Prototype within Images and Other Objects reconsiders the notion of 'presence' in objects. The ...
"[Bockie's] description of Kongo culture is vivid, beautifullyclear, and absolutely authentic, as only a native could make it.... I don't know ofanything of its kind that is both as good, ethnographically, and asreadable." -- Wyatt MacGaffey "Simon Bockie haswritten an engaging, often personal account of the views and behaviors surroundingdeath in his own society, the Kongo of Lower Zaire, northern Angola, and theCongo." -- Cahiers d'Etudes africaines ..". excellentbook of Kongo religious life and thought... " --Religion "It is a book that is remarkably well written, bothfor its readability and for its explanatory value.... the book is a superb startingplace for understanding Kongo religion, and will work as an introduction to Africanreligion in general as well." -- International Journal of African HistoricalStudies ..". an excellent introduction for anyone seeking tounderstand Kongo traditional culture and thought." --Oshun Rich in anecdote and case histories, Death and the InvisiblePowers is a personal account of the spiritual life of the Kongo people. It describesthe ancient traditions that nourish a culture whose name symbolizes the heart ofCentral Africa.
World-wide in scope, this volume brings together the work of twenty historians, anthropologists, and literary scholars who have tried to examine the nature of the encounter between Europeans and the other peoples of the world from roughly 1450 to 1800, the Early Modern era.
Studies the importance of Central African culture to the cultures of the Americas since the Atlantic slave trade.