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Feathered Serpent
ONE OF THE FOREMOST WORKS OF TWENTIETH-CENTURY CHINESE LITERATURE This beautifully portrayed epic family history spans one hundred years, from the 1890s during the later stages of the Qing Dynasty to the 1990s, traversing the experiences of five generations of women. Yu is the central character, whose life story is woven through the lives of her grandmother, mother, sisters, and niece. She loves her parents but at a tender age realizes they do not love her. After committing two unforgivable sins, she is sent away to live in the city but is soon abandoned. Yu's life becomes a quest for love; she is fragile but resilient, lonely but determined. Now, in the 1980s, Yu becomes caught up in the po...
Crystal Wedding
Yang Tianyi is attractive and intelligent, finally makes a disastrous marriage to Wang Lian. At the Tiananmen Square, she meets her love Hua Zheng again. Hua Zheng is framed as one of the perpetrators of the disturbances, and is sentenced to prison. Crystal Wedding is a novel of searing emotional honesty. (Winner of English Pen Translates Award)
Dunhuang Dream
Named one of the Top Ten Novels of the Year in China, this award-winning novel is about three tourists who fall into a strange entanglement of love. Set against the magical backdrop of Dunhuang, China, home to thousands of painted cave murals, Dunhuang Dreams magically blends the stories of three protagonists: Xiao Xingxing, a talented young female artist, Zhang Shu, a laboratory technician from a Beijing research institute who recently quit his job, and Xiang Wuye, a medical student. These three individuals seek refuge in Dunhuang from their troubled lives, but soon find themselves in a love triangle and involved in a scandalous theft. Original and dynamic, Dunhuang Dreams harmoniously combines a contemporary story with ancient and modern Buddhist themes. It is a tale of searching, escaping from the past, and longing for true love.
A History of Contemporary Chinese Literature
This groundbreaking book by the eminent Peking University professor Hong Zicheng covers the literary scene in China during the 1949-1999 period, primarily focusing on fiction, poetry, drama, and prose writing. Reprinted sixteen times since its publication in the PRC in 1999 it is now available in English translation at last. The first section of the book deals with the 1949-1976 period. Often derided and ignored as an arid era for literature by both Chinese and overseas critics, Professor Hong describes the literature that was popular and officially acceptable at the time, and the cultural policies and political campaigns that shaped the tastes of readers and the literary creativity of write...
Accidental Holy Land
Yan’an is China’s “revolutionary holy land,” the heart of Mao Zedong’s Communist movement from 1937 to 1947. Based on thirty years of archival and documentary research and numerous field trips to the region, Joseph W. Esherick’s book examines the origins of the Communist revolution in Northwest China, from the political, social, and demographic changes of the Qing dynasty (1644–1911), to the intellectual ferment of the early Republic, the guerrilla movement of the 1930s, and the replacement of the local revolutionary leadership after Mao and the Center arrived in 1935. In Accidental Holy Land, Esherick compels us to consider the Chinese Revolution not as some inevitable peasant response to poverty and oppression, but as the contingent product of local, national, and international events in a constantly changing milieu.
Imagology Profiles
This volume highlights the importance of imagology, one of the most popular areas of research in contemporary comparative studies. It proposes new means of academic analysis to create critical attitudes towards the development of imagological studies. The topics discussed draw a wide trajectory, from classical to marginal images, from national heroes to (un)conventional aspects of gender, from ethno-imagology to the broader dimension of intercultural references and epistemological post-poststructuralist changes. The compendium widens the field of imagology by introducing concepts such as “geo-imagology” and “imagology of gender”, and by linking the imagological strategy with the powe...
Contemporary Chinese Fiction Writers
In the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Write...
The A to Z of Modern Chinese Literature
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
