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皇帝的鏡子
本书围绕清宮贵族对镜子的鑑赏, 装治与使用等主题, 分为三个单元.第一单元「鑑古游艺:皇帝的铜镜收藏」, 精选清宮所藏汉代至明代古镜, 展示铜镜近两千年连绵不绝的发展, 以及古代帝王对古镜的认知及品评;第二单元「装匣陈设:铜镜的匣作装裱」, 展览出院藏乾隆御制西清续鑑等镜匣及配件;第三单元「揽镜之趣:镜照与生活」, 展现宮廷日常中的古镜意象, 以及玻璃镜在清代色彩纷呈的发展.
东方哈达 The Oriental Express: Building the Railway to the Roof of the World
《东方哈达——中国青藏铁路全景实录》采取“上行列车”与“下行列车”交错并行的叙述结构，把历史和现实贯穿在了一起。讲述了孙中山、毛泽东、邓小平、江泽民在修建青藏铁路上的决策细节、青藏铁路修筑中的难题以及筑路人鲜为人知的故事。
A CONCISE COMMENTARY ON MONOGRAPHS ON THE WESTERN REGIONS IN THE OFFICIAL HISTORY BOOKS OF THE WESTERN & EASTERN HAN, WEI, JIN, SOUTHERN & NORTHERN DYNASTIES
A CONCISE COMMENTARY ON MONOGRAPHS ON THE WESTERN REGIONS IN THE OFFICIAL HISTORY BOOKS OF THE WESTERN & EASTERN HAN, WEI, JIN, SOUTHERN & NORTHERN DYNASTIES是同作者《两汉魏晋南北朝正史西域传要注》一书的英文版，是作者为两汉魏晋南北朝正史西域传有关西域的记载提供的一个系统的注解。作者长期研究西域史和古代中外关系史、塞种、贵霜、嚈哒以及两汉魏晋南北朝与西域关系史，在此基础上，作者就各篇西域传所见西域文化、宗教、习俗、制度，以及人种、语言、文字作了分门别类的研究，结集而成《两汉魏晋南北朝正史西域传研究》，再依据研究的结论，撰写了《两汉魏晋南北朝正史西域传要注》一书，为两汉魏晋南北朝正史西域传有关西域的记载提供的一个系统的注解。
Harmoniousness: Essays in Chinese Musicology
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
国家负荷 China State Grid:The People Behind the Power
《国家负荷——国家电网科技创新实录》反映了那些不断研究科技创新的电网科技精英们，那些持续探索技术革新的普通工人们，他们从来都只把饱满的激情投入到火热的工作中，他们不谈功，只说业。
Daily Report
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Bulletin
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Kingship, Ritual, and Royal Ideology in Western Zhou China
In accounts of Chinese history, the Western Zhou period has been lionized as a golden age of ritual, when kings created the ceremonies that underlay the traditions of imperial governance. In this book, Paul Nicholas Vogt rediscovers their roots in the vagaries of Western Zhou royal geopolitics through an investigation of inscriptions on bronze vessels, the best contemporary source for this period. He shows how the kings of the Western Zhou adapted ritual to create and retain power, while introducing changes that affected later remembrances of Zhou royal ritual and that shaped the tradition of statecraft throughout Chinese history. Using ritual and social theory to explain Western Zhou history, Vogt traces how the traditions of pre-modern China were born, how a ruling dynasty establishes and holds on to power, how religion and politics can support and restrain each other, and how ancient peoples made, used, and assigned meaning to art and artifacts.
Daily Report
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