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A Century of Israeli Art
A Century of Israeli Art presents the story of modern Israel's visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Framing artistic developments in the context of successive periods, author Yigal Zalmona describes the many ways in which Israel's art has been influenced by its social and political history. This look at the wider picture goes hand-in-hand with detailed, enlightening analyses of seminal artworks from every period. Zalmona surveys the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and ...
Painting a People
Analyzes the life, work, and reception of a founding father of modern Jewish art in Eastern Europe.
Secularizing the Sacred
As historical analyses of Diaspora Jewish visual culture blossom in quantity and sophistication, this book analyzes 19th-20th-century developments in Jewish Palestine and later the State of Israel. In the course of these approximately one hundred years, Zionist Israelis developed a visual corpus and artistic lexicon of Jewish-Israeli icons as an anchor for the emerging “civil religion.” Bridging internal tensions and even paradoxes, artists dynamically adopted, responded to, and adapted significant Diaspora influences for Jewish-Israeli purposes, as well as Jewish religious themes for secular goals, all in the name of creating a new state with its own paradoxes, simultaneously styled on the Enlightenment nation-state and Jewish peoplehood.
The Place of the Mediterranean in Modern Israeli Identity
This book offers new perspectives on Israel’s evolving Mediterranean identity, which centers around the longing to find a "natural" place in the region. It explores Mediterraneanism as reflected in popular music, literature, architecture, and daily life, and analyzes ways in which the notion comprises cultural identity and polical realities.
Jewish Consumer Cultures in Nineteenth and Twentieth-Century Europe and North America
This book investigates the place and meaning of consumption in Jewish lives and the roles Jews played in different consumer cultures in modern Europe and North America. Drawing on innovative, original research into this new and challenging field, the volume brings Jewish studies and the history and theory of consumer culture into dialogue with each other. Its chapters explore Jewish businesspeople's development of niche commercial practices in several transnational contexts; the imagining, marketing, and realization of a Jewish national homeland in Palestine through consumer goods and strategies; associations between Jews, luxury, and gender in multiple contexts; and the political dimensions of consumer choice. Together the essays in this volume show how the study of consumption enriches our understanding of modern Jewish history and how a focus on consumer goods and practices illuminates the study of Jewish religious observance, ethnic identities, gender formations, and immigrant trajectories across the globe.
Bringing Zion Home
Bringing Zion Home examines the role of culture in the establishment of the "special relationship" between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel's "natural" place in American culture, a phenomenon that continues to shape America's relationship with Israel today. Katz shows that America...
Catalog of Catalogs: A Bibliography of Temporary Exhibition Catalogs Since 1876 that Contain Items of Judaica
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Reapproaching Borders
Territorial borders, identity borders, and many other kinds of social and cultural borders are constantly questioned in Israel-Palestine. Reapproaching Borders: New Perspectives on the Study of Israel-Palestine explores the concept of borders, how they are imagined and actualized in this deeply contested land. The book focuses on the 'implicate relations' between Palestinian Arabs and Jews, providing new insights into the origins and dynamics of the conflicts between them. Emphasizing the history of the non-elite members of both communities, the book sees the relations between Jews and Palestinian Arabs as embedded and reflected in areas of daily living, such as in the spheres of architecture, commerce, health sexuality, and the courts. Using the voices of the new generation of scholars, Reapproaching Borders demonstrates the continued saliency of older themes such as ownership and rights to the land, but as they intersect with the newer areas of inquiry, such as sexual identity politics and spatial relations.
Art in Zion
Art in Zion deals with the link between art and national ideology and specifically between the artistic activity that emerged in Jewish Palestine in the first decades of the twentieth century and the Zionist movement. In order to examine the development of national art in Jewish Palestine, the book focuses on direct and indirect expressions of Zionist ideology in the artistic activity in the yishuv (the Jewish community in Palestine). In particular, the book explores two major phases in the early development of Jewish art in Palestine: the activity of the Bezalel School of Art and Crafts, and the emergence during the 1920s of a group of artists known as the Modernists.
The End of Tradition?
Rooted in real-world observations, this book questions the concept of tradition. In his introduction, Nezar AlSayyad discusses the meanings of the word 'tradition' and the current debates about the 'end of tradition'. Thereafter the book is divided into three parts.
