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Another title from The Crown Art Library, the most useful monographs available on a wide range of significant artists. Each volume is written by an internationally recognized authority and is generously illustrated with full-color reproductions of the artist's paintings and two-color reproductions of sketches and line drawings.
In 1958, artist Joan Miró and critic Yvon Taillandier sat down for an in-depth discussion on Miró's life and work. Their conversation, one of the most illuminating and insightful looks into Miró's philosophy and creative process, was first published in a limited edition of seventy five copies in 1964. Though long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of Miró's ideas on art." This beautiful new edition presents an updated English translation of Miró's invaluable text in an elegant and striking package. In addition to Taillandier's original foreword, a new preface by preeminent Miró scholar Robert Lubar provides wider context and insight. An appendix includes the original French text in its entirety. Joan Miró: I Work Like a Gardener brings to life the words and work of one of the most beloved and influential artists of the twentieth century.
Another title from The Crown Art Library, the most useful monographs available on a wide range of significant artists. Each volume is written by an internationally recognized authority and is generously illustrated with full-color reproductions of the artist's paintings and two-color reproductions of sketches and line drawings. From the Trade Paperback edition.
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
On December 17, 1903, Orville and Wilbur Wright soared into history during a twelve-second flight on a secluded North Carolina beach. Commemorating the 100th anniversary of the first flight, these essays chart the central role that aviation played in twentieth-century history and capture the spirit of innovation and adventure that has characterized the history of flight. The contributors, all leading aerospace historians, consider four broad themes relating to the development of flight technology: innovation and the technology of flight, civil aeronautics and government policy, aerial warfare, and aviation in the American imagination. Through their attention to the political, economic, milit...
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on th...
After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.
A l'heure ou, parait-il, notre belle langue francaise est en danger, attaquee de toutes parts par les anglicismes et autres envahisseurs irrespectueux de l'orthographe et de la grammaire que sont email, sms, texto... Voila qu'un auteur SUISSE francophone et francophile propose son dictionnaire des verbes oublies ou delaisses de la langue francaise. Pourvu que le papier de ce livre ne fonge pas, que les couleurs de la couverture n'emboisent point afin de vous permettre de decouvrir ou de redecouvrir que le Francais est une langue bien vivante puisqu'en constante evolution. Apparoir, barbeyer, charbouiller, debiller, ebarouir, falaiser, friller... font partie des 958 verbes oublies ou delaisses que vous allez trouver dans ce Dictionnaire devenu Sanctuaire et dont vous allez connaitre la definition et savoir ce qu'ils sont devenus de nos jours...
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.