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Zac Koukoravas
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Render
Catalogue accompanying 'Render', an exhibition held at Screen Space (Melbourne, Australia).Current visual culture is predominately produced and circulated through digital forms, as such, digital artefacts are ubiquitous components of the material form of contemporary images. This exhibition presents the work of four artists who knowingly incorporate a digital aesthetic into the tradition of painting.
Collection of Exhibition Catalogues from Screen Space
This collection consists of exhibition catalogues from Screen Space. Artist are: Daniel Mudie Cunningham -- Stephen Alkins -- Christopher Koller -- Hannah Raisin -- Dawn Roe -- Embodiedmedia (Keith Armstrong, Doger Dean, Stuart Lawson, Darren Pack) -- Magda Cebokli, Peter Daverington, Warren Hine, Zac Koukoravas -- Isobel Knowles -- Van Sowerwine -- Candice Cranmer -- Denis Beaubois -- Matthieu Cherubini -- Jordan Crandall -- Catherine Clover -- Claire Robertson -- Michelle Sakaris -- Jessica Hood -- Igor Zimmerman -- Frode & Marcus -- Kate Sangkhae -- Sutthirat Supaparinya -- Jakraphun Thanateeranon -- Jacqui Shelton -- Janine Randerson -- Jessie Scott -- Rebecca Adams -- Candice Cranmer -- Kellie Wells -- Eloise Calandre -- Tamsin Green -- Scott Morrison -- David Mutch -- Heidi Yardley -- Tania Smith -- Tess E. McKenzie -- Ann Fuata -- Polly Stanton -- Michael Warnock -- Amanda Santamaria -- Mark Reid -- Jessica Hood -- Kit Wise -- Ms&Mr -- Benjamin Ducroz -- Michael Vale -- Fabrice Bigot -- Jane Burton -- John Gerrard.
Frederick Mccubbin- Whisperings in Wattle Boughs
This publication accompanies two exhibitions that celebrate the 125th anniversary of the establishment of Geelong Gallery in 1896; that honour one of the first and greatest acquisitions to enter the collection; and that assert this Gallery's enduring commitment to the critical visions of contemporary artists.Frederick McCubbin-Whisperings in wattle boughs takes its lyrical title from McCubbin's quietly mesmerising painting of 1886, in which he depicts a solitary man in repose, contemplating the earth, listening to the rustling of the bush around him while his tea boils in the billy nearby. This evocative work sets the tone for an exhibition centred on one of the treasures of Geelong Gallery:...
Stargazing
When Peter Hill, a student at Dundee College of Art, answered an advert in The Scotsman seeking lighthouse keepers, little did he imagine that within a month he would be living with three men he didn't know in a lighthouse on Pladda, a small remote island off the west coast of Scotland. Hill was nineteen, it was 1973 and, with his head fed by Vietnam, Zappa, Kerouac, Vonnegut, Watergate and Coronation Street, he spent six months on various lighthouses, "keeping" with all manner of unusual and fascinating people. Within thirty years this way of life was to have disappeared entirely. The resulting book is a charming and beautifully written memoir that is not only a heartfelt lament for Hill's own youth and innocence but also for a simpler and more honest age.
Tarnanthi 2019 Catalogue
The Tarnanthi 2019 catalogue captures the flavour, colour and diversity of one of Australia's foremost Aboriginal and Torres Strait Islander cultural events.This richly illustrated 250-page book contains exquisite imagery and insightful essays from artists, curators and art experts, examining the outstanding works of art featured in Tarnanthi 2019 and the artists who created them.The Tarnanthi 2019 catalogue makes a superb memento of your visit to Tarnanthi or an ideal gift for friends and family.
The Nature of Landscape
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Working Script in Shorthand
Catalogue accompanying 'A Working Script in Shorthand', an exhibition held at Screen Space (Melbourne, Australia).
Lomond
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Graeme Drendel
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