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Sinology in Post-Communist States
Selfknowledge is the foundation of sinology. Becoming a sinologist involves engaging in multisited processes that deconstruct stereotypical notions of China's rise in the 21st century. The sinologists in this edited volume have actively participated in studies shaped by their specific historical contexts, strategic choices and varied adaptations. Positioned in different sites, these agents respond in diverse ways to China's rise and identity.
Fictional Authors, Imaginary Audiences
The authors and audiences for 20th century Chinese literature, especially fiction, are examined in a fresh light. While modern Chinese fictions are imaginary in that they do not constitute reliable portraits of Chinese life, they offer insights into the writers themselves and their implied audiences.
Chinese Justice, the Fiction
This is a full-length study of Chinese crime fiction in all eras: ancient, modern, and contemporary. It is also the first book to apply legal scholars law and literature inquiry to the rich field of Chinese legal and literary culture.
The Cambridge History of Chinese Literature: From 1375
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
A Guide to Chinese Literature
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
Lost Voices of Modernity
Lost Voices of Modernity uncovers the story of the most popular and perhaps the most maligned modern Chinese literary journal, Xiaoshuo yuebao (The Short Story Magazine). First published in Shanghai in 1910, Xiaoshuo yuebao boasted a circulation of ten thousand within its first three years of publication. Scholars have long characterized the journal as little more than superficial popular entertainment (primarily action/adventure and love stories) and attributed its early popularity to an urban audience's need for distraction and escape. Now, however, Denise Gimpel's persuasive and effective study reveals a journal of serious appearance and intent. By placing publication, contributions, and ...
