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"Nothing of the former world holds true anymore," Zofia Nalkowska wrote in her Wartime Diaries on 7 May 1943. "Nothing has remained." The burning of the Warsaw ghetto had broken Nalkowska's privileged life in two; in the years to come, the need to bear witness to the horrors she had seen firsthand would lead this gifted member of the Polish avant-garde to write the stories in Medallions.
The Polish novelist Zofia Nałkowska was witness to two world wars and Poland's struggle for independence. Her most renowned work, Medallions, is considered a Masterpiece of anti-fascist world literature.
The novel in Europe in the early twentieth century took a decidedly inward turn, and Choucas (1927) is an intriguing example of the modernist psychological tradition. Its author, Zofia Nalkowska (1884–1954), was a celebrated Polish novelist and playwright. She rose to prominence in interwar Poland and was one of a group of early feminist writers that included Pola Gojawiczynska, Maria Dabrowska, and Maria Kuncewiczowa. Choucas is set in the Swiss Alps in the mid-1920s in a sanatoria village near Lake Geneva. The book has an international focus, and the narrator, a polish woman, profiles a motley collection of visitors to the village and patients at the sanatorium and their interactions wit...
Available for the first time in English, Zofia Nalkowska's Boundary was originally published as Granica in Poland in 1935. The modernist novel was widely discussed upon its publication and praised for its psychological realism and stylistic and compositional artistry. Over the years, it has been translated into several languages and made into a feature film, and remains a standard text in the Polish secondary school curriculum. Nalkowska was a pioneer of feminist fiction in Central Europe. Her observation of inequality in the treatment of men and women is at the heart of Boundary, which explores a transgressive love affair and its repercussions. She perceived that men—especially of the upp...
Available for the first time in English, Zofia Nalkowska's Boundary was originally published as Granica in Poland in 1935. The modernist novel was widely discussed upon its publication and praised for its psychological realism and stylistic and compositional artistry. Over the years, it has been translated into several languages and made into a feature film, and remains a standard text in the Polish secondary school curriculum. Nalkowska was a pioneer of feminist fiction in Central Europe. Her observation of inequality in the treatment of men and women is at the heart of Boundary, which explores a transgressive love affair and its repercussions. She perceived that men—especially of the upp...
In stark contrast to the widespread preoccupation with the wartime looting of priceless works of art, BoÅ1⁄4ena Shallcross focuses on the meaning of ordinary objects -- pots, eyeglasses, shoes, clothing, kitchen utensils -- tangible vestiges of a once-lived reality, which she reads here as cultural texts. Shallcross delineates the ways in which Holocaust objects are represented in Polish and Polish-Jewish texts written during or shortly after World War II. These representational strategies are distilled from the writings of Zuzanna Ginczanka, WÅ‚adysÅ‚aw Szlengel, Zofia NaÅ‚kowska, CzesÅ‚aw MiÅ‚osz, Jerzy Andrzejewski, and Tadeusz Borowski. Combining close readings of selected texts with critical interrogations of a wide range of philosophical and theoretical approaches to the nature of matter, Shallcross's study broadens the current discourse on the Holocaust by embracing humble and overlooked material objects as they were perceived by writers of that time.
In the 1930s, seven plays by Polish women writers created a flurry of excitement and condemnation as these women dared to question national myths, reinterpret the definition of subject, and subvert genre expectations. This study interrogates the feminism of these shocking dramas.
"In the current literary scene, one of the most heartening influences is the work of Naomi Shihab Nye. Her poems combine transcendent liveliness and sparkle along with warmth and human insight. She is a champion of the literature of encouragement and heart. Reading her work enhances life."— William Stafford Dusk where is the name no one answered to gone off to live by itself beneath the pine trees separating the houses without a friend or a bed without a father to tell it stories how hard was the path it walked on all those years belonging to none of our struggles drifting under the calendar page elusive as residue when someone said how have you been it was strangely that name that tried t...
Includes 204 photos, plans and maps illustrating The Holocaust Arrested by the Gestapo in 1942 for involvement in the resistance, the author spent three years in Birkenau. Severyna Szmaglewska (1916-1992) began writing this book immediately after escaping from an evacuation transport in January 1945, and it is the first account of the Auschwitz-Birkenau camp and an eloquent and important analysis of the individual experience of modern war. It was ready for print before the end of 1945, after several months of feverish work. In February 1946 the International Tribunal in Nuremberg included it in the material making up the charges against the Nazi perpetrators, and called upon the author to gi...
On 6th November 1942, 70 captured Red Army soldiers staged an extraordinary mass escape from Auschwitz. Among these men was prisoner number 1418 Andrei Pogozhev. He survived, and this is his story.