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On Contemporaneity, after Agamben
Who are our contemporaries today? Alain Badiou, Jean-Luc Nancy, or Giorgio Agamben, or the already neglected Althusser or Lacoue-Labarthe? From among the thinkers of the last great generation of the past century, who are the precursors whose voice is strong enough to speak to our present today? when the nature of time itself is uncertain: a time of mutation (Nancy), a change of epoch (Blanchot), an epoch without an epoch (Stiegler), or more catastrophically, the time of the geocide (Deguy)? Is it Bataille (Inner Experience) or Blanchot (The Writing of the Disaster) who anticipates the future that is already our present? Or Derrida who announced the unsurpassable dilemma of the law of hospita...
Encounters
"First published in 2015 in Great Britain by SUSSEX ACADEMIC PRESS" -- Verso title page.
Futures of the Contemporary
Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity” Futures of the Contemporary explores different notions and manifestations of “the contemporary” in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from “the contemporaneous” of a given historical time, “the contemporary” becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose previously unnoticed aspects of the present. In this sense, the contemporary gains a cr...
Sociology After Bosnia and Kosovo
This book provides a sociological account of the events in Bosnia in the 1990s, including ethnic cleansing, mass rape, and the role of political journalists. Drawing upon a diverse group of social theorists, including Merton, Weber, and Baudrillard, Sociology After Bosnia constructs a social understanding of the experiences of people in Bosnia and the response of Western leaders to these experiences. Beyond looking at the social causes of these events, Doubt sheds light on why Bosnia and Kosovo have largely been ignored by sociologists. He shows why the personal and social tragedies of people in Bosnia and Kosovo and the world's tolerance of these tragedies challenge contemporary sociological knowledge. Doubt argues that sociologists must be willing not only to recognize this challenge, but also to respond to it in order to construct meaningfully adequate accounts of war and genocide in a postmodern era. Doing so, he contends, may yield an important and needed reconsideration of the existing body of sociologicial knowledge and a revision of how this knowledge is applied.
Film, Theory and Philosophy
Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays re...
The Little Crystalline Seed
Shows how contemporary French philosophy adopted this literary paradigm and argues for its significance for addressing concerns in ethics, ontology, and aesthetics. Mise en abyme is a term developed from literary theory denoting a work that doubles itself within itself—a story placed within a story or a play within a play. The term flourished in experimental fiction in midcentury France, having not only a strong impact on contemporary literary theory but also on post-structuralist philosophy. The Little Crystalline Seed focuses on how thinkers invoke the concept of mise en abymein order to establish ontologies that deviate from that of Heidegger. Iddo Dickmann demonstrates how the concept ...
Panorama
The new electronic age has seen a radical transition from book to screen, a development which has obscured the fact that it is not what we see which matters but how we see what we see. We live in a time when the visible needs to be retheorised.Panorama presents a broad analysis of philosophies of the visible in art and culture, particularly in painting, film, photography, and literature. The work of key philosophers--Kant, Hegel, Nietzsche, Heidegger, Levinas, Barthes, Blanchot, Foucault, Bataille, Derrida, Lyotard and Deleuze--is examined in the context of visibility, expressivity, the representational and the postmodern. Contributors: Zsuzsa Baross, Robert Burch, Alessandro Carrera, Dana Hollander, Lynne Huffer, Volker Kaiser, Reginald Lilly, Robert S. Leventhal, Janet Lungstrum, Ladelle McWhorter, Ludwig Nagl, Anne Tomiche, James R. Watson, Lisa Zucker
The Dark Precursor
Deleuze’s and Guattari’s philosophy in the field of artistic research Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and art...
Globalization and the Muslim World
Written by scholars from a range of disciplines concerned with the Middle East and Islam (history, religious studies, anthropology, sociology, political science) and covering the Muslim world extensively (from Malaysia, Turkey, Sudan, Egypt, and Israel/Palestine to Muslim communities in Europe and the United States), this important contribution to the debate on globalization sets a standard in dealing with this pervasive force in the field of Islamic and Middle Eastern studies.
Aberrant Nuptials
Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.
