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Dramatized Societies
Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama. Drawing on both national practices of production and reception and international theories of textual analysis this book offers the first study of contemporary quality TV drama in two countries where television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen.
Spanish Screen Fiction
This pioneering volume argues that cinema and television in Spain only make sense when considered together as twin vehicles for the screen fiction that has come to dominate the twenty-first century. Offering comparative readings of films such as Pedro Almodóvar’s classic Women on the Verge of a Nervous Breakdown with his production company’s first foray into television production—a 2006 series called Women—alongside prize-winning workplace dramas watched by thousands on Spanish television, Alejandro Amenábar’s The Sea Inside, and the attempts to establish the dominant Latin American genre of the telenovela in the very different context of Spanish television.
De-Centring Cultural Studies
The academic resistance that cultural studies has encountered remains especially visible in Eastern and Southern European countries. One such example is Spain, where cultural studies is seen at best as an emergent research field. Hence the interest of this volume, conceived in Spain by an all-Spanish editorial team and written by a diverse range of authors who prove that, in spite of all difficulties, cultural studies continues to bloom – even in Southern and Eastern Europe. The different chapters offer interdisciplinary insights into a wide selection of cultural materials whose relevance goes well beyond purely aesthetic issues. Altogether, the volume (1) provides interesting theoretical ...
The Films of Jesus Franco, 1953-1966
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, a...
Spanish Horror Film
An original new study of Spanish horror film.
Postmodern Plagiarisms
This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of appropriation at the interface b...
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Pantallas depredadoras
Este volumen recoge los textos de conferenciantes que intervinieron en la IX edición de Universo Media, titulada “Pantallas depredadoras: el cine alcanzado por la onda expansiva de la cultura visual digital. Informes y profecías”. Universo Media es una sección del Festival Internacional de Cine de Gijón, organizada conjuntamente con la Universidad de Oviedo
