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A Companion to Aeschylus
A COMPANION TO AESCHYLUS In A Companion to Aeschylus, a team of eminent Aeschyleans and brilliant younger scholars delivers an insightful and original multi-authored examination—the first comprehensive one in English—of the works of the earliest surviving Greek tragedian. This book explores Aeschylean drama, and its theatrical, historical, philosophical, religious, and socio-political contexts, as well as the receptions and influence of Aeschylus from antiquity to the present day. This companion offers readers thorough examinations of Aeschylus as a product of his time, including his place in the early years of the Athenian democracy and his immediate and ongoing impact on tragedy. It al...
Squirrel Nation
A wide-ranging meditation on belonging and citizenship through the story of two squirrel species in Britain. Squirrel Nation is a history of Britain’s two species of squirrel over the past two hundred years: the much-loved, though rare, red squirrel and the less-desirable, though more populous, grey squirrel. A common resident of British gardens and parks, the grey squirrel was introduced from North America in the late nineteenth century and remains something of a foreign interloper. By examining this species’ rapid spread across Britain, Peter Coates explores timely issues of belonging, nationalism, and citizenship in Britain today. Ultimately, though people are swift to draw distinctions between British squirrels and squirrels in Britain, Squirrel Nation shows that Britain’s two squirrel species have much more in common than at first appears.
Eumenides
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Intimate Commerce
Exchanges of women between men occur regularly in Greek tragedy—and almost always with catastrophic results. Instead of cementing bonds between men, such exchanges rend them. They allow women, who should be silent objects, to become monstrous subjects, while men often end up as lifeless corpses. But why do the tragedies always represent the transferal of women as disastrous? Victoria Wohl offers an illuminating analysis of the exchange of women in Sophocles' Trachiniae, Aeschylus' Agamemnon, and Euripides' Alcestis. She shows how the attempts of women in these plays to become active subjects rather than passive objects of exchange inevitably fail. While these failures seem to validate male hegemony, the women's actions, however futile, blur the distinction between male subject and female object, calling into question the very nature of the tragic self. What the tragedies thus present, Wohl asserts, is not only an affirmation of Athens' reigning ideologies (including its gender hierarchy) but also the possibility of resistance to them and the imagination of alternatives.
Esquil i Sófocles
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Anthropocosmic Theatre
"Classical scholar James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He draws on a vast range of scholarship and criticism to give modern readers the most accurate picture possible of what ancient audiences saw and understood in the spectacle of Greek tragedy. Hogan places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law, athletic contests, relations with neighboring states, beliefs about the underworld, demons, omens, and divination, and countless other ...
The Oresteia Trilogy (Unabridged English Translation)
Aeschylus, a prominent ancient Greek tragedian, masterfully crafted The Oresteia Trilogy, consisting of Agamemnon, The Libation Bearers, and The Eumenides. This epic trilogy delves into the themes of justice, vengeance, fate, and the evolution of societal order. Aeschylus employs rich imagery, complex characters, and poetic language to explore the complexities of human nature and the consequences of actions. The Oresteia Trilogy is considered a foundational work of Western literature, showcasing Aeschylus's unparalleled talent for storytelling and philosophical exploration within the dramatic context of Greek tragedy. Aeschylus, often referred to as the 'father of tragedy,' drew inspiration ...
