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Annual Bibliography of the History of the Printed Book and Libraries
The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.
Controlling Readers
Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-six private prose letters as well as elaborate illustration and references to it's own materiality promote a physical encounter with the book. In Controlling Readers, Deborah McGrady uses Machaut's corpus as a case s...
Lost Illusions
Linking the study of business and politics, Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting—but also in limiting—press freedom and literary property.
Reading and Riding
Reading and Riding is the first in-depth study of Hachette and Company's railroad bookstore network. The Bibliotheque des Chemins de Fer, begun in 1853 as a means to market a special collection of books to train travelers, developed into France's first national chain bookstore. This analysis of the railroad bookstore network demonstrates how it transformed Hachette and Company from an academic publishing house into Europe's dominant publisher and distributor of all types of books, newspapers, and periodicals. It reveals the network's critical role in the modernization of the French publishing industry through the application of new marketing techniques, the use of the growing rail network as a primary means of distribution, and the large-scale employment of women.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
How the Page Matters
From handwritten texts to online books, the page has been a standard interface for transmitting knowledge for over two millennia. It is also a dynamic device, readily transformed to suit the needs of contemporary readers. In How the Page Matters, Bonnie Mak explores how changing technology has affected the reception of visual and written information. Mak examines the fifteenth-century Latin text Controversia de nobilitate in three forms: as a manuscript, a printed work, and a digital edition. Transcending boundaries of time and language, How the Page Matters connects technology with tradition using innovative new media theories. While historicizing contemporary digital culture and asking how on-screen combinations of image and text affect the way conveyed information is understood, Mak's elegant analysis proves both the timeliness of studying interface design and the persistence of the page as a communication mechanism.
Guide pratique de la documentation
Apporte des réponses pratiques sur les techniques documentaires, les visites culturelles, aux instituteurs et aux documentalistes de collège. « Copyright Electre »
From Royal to National
Royal collections of artworks, books, and manuscripts were transformed into national institutions following the French Revolution in 1789 to serve as visible symbols of the new republic. Scholars, specialists, government officials, and patriots faced vandalism, war, and the Terror to establish great national institutions accessible to the public - the Louvre and the Bibliotheque Nationale - living monuments of French patrimony.
Les rendez-vous de l'édition 2.
Dix-sept portraits et débats composent ce second volume des « Rendez-vous de l'édition » qui, à l'initiative de la Bibliothèque publique d'information - et avec le concours du Syndicat national de l'édition - ont eu lieu, d'octobre 1998 à juin 1999, au Centre Georges Pompidou. On rencontrera ici plusieurs figures marquantes de l'édition contemporaine, notamment dans les domaines de la littérature et des livres d'art. Mais l'intérêt de ce second volume, est aussi de donner la parole à d'autres acteurs du processus éditorial : auteurs et traducteurs tout d'abord, dans leur relation avec l'éditeur, responsables de promotion, diffuseurs et libraires ensuite. C'est ainsi l'ensemble de la chaîne du livre que couvrent ces deux volumes, en y soulignant la continuité d'un engagement fort, porté par une certaine idée du livre.
The New Bibliopolis
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the ...
