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The design and history of Paris's iconic Centre Pompidou is explored in this absorbing and beautifully illustrated biography of a building.
This is the story of how France's famed cultural icon, one of the most controversial and supremely public buildings of the century, was designed and built. Nathan Silver's detailed account of the Centre Pompidou -- still called Beaubourg by its designers, and by Parisians -- takes the form of a fascinating and insightful "building biography." Not just a book about a building but about the making of a building, this fresh, heterodox means of inquiry is a holistic reading of the intricate process of creating architecture in contemporary society that brings to light its human story, encompassing its stylistic, historical, technical, and social aspects. Beaubourg, Silver reveals, was unlike anything that had ever been built. A realization of ideals and aspirations of it architectural generation, a rethinking of fundamental precepts of design and construction, it took nothing for granted, and it has since become one of the most popular tourist attractions in Europe -- flaunting new principles that other architects have to come to terms with.
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
Building services are often overlooked in the history of architecture and engineering. This volume presents 41 papers presented at the Fifth Annual Conference of the Construction History Society held at Queens' College Cambridge from 6-8 April 2018 which cover a wide variety of topics on aspects of construction history and building services.
Une présentation des fonds d'archives relatifs à la présidence de Georges Pompidou, sources de premier ordre pour l'histoire de la période. Deux parties : classement par services et par collaborateurs donateurs. « Copyright Electre »
„Dieser Sammelband ist eines der wichtigsten Werke, das die neue Rolle der Bibliotheken darstellt, und bildet daher die theoretische Basis für alle neuen Bibliotheksbauten. Es zeigt innovative Entwicklungen und Visionen auf, wie zukünftig Bibliotheksplanung und Bibliotheksbau im Dialog zwischen Architekten und Bibliothekaren aussehen kann.“ Prof. Dr. Claudia Lux, Generaldirektorin der Stiftung Zentral- und Landesbibliothek Berlin
This book considers the post-68 French city as a prism through which to understand the contemporary world and France's specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique-stemming from the competing claims of national identity, the ethics of architecture and display, and an anth...
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