Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Autonomous Archiving
As an institutional practice, archival practices often tent to serve to colonization, surveillance and discipline society of the Modern world. In the last ten years, with the digital technology and social movement detecting, recording and accumulating images become a civil activity. Thus, archiving videos and other types of visual images brought also non-institutional practices and as well contemporary discussions related to image, open source, collectivity and forensics. Beside interviews with video activists; this book compiles several writers’ articles on their practices and discussions of archives from several angles: forensics, decolonization and commons. The term “archiving” in d...
Transitional Territories
Ayse Güngör investigates art practices between art and anthropology in Turkey, as well as the implications of contemporary art for those disciplines. She discusses various approaches based on anthropological theories on the forms of relation and theories of artistic practices on socio-political issues. Based on long-term research with contemporary artists such as Nil Yalter, Gülsün Karamustafa, Esra Ersen, Kutlug Ataman, Tayfun Serttas, Köken Ergun, Dilek Winchester and Artikisler Collective, this book analyzes the objectives of art and anthropology in order to determine new possibilities and divergences arising from this interdisciplinary confluence.
Beyin Ekran
Ulus Baker, sinemanın öykü ve enformasyon sunma yönünü değil düşünme ve tahayyül etme yetisinin yani düşünce-imajının, montaj-düşüncenin yaratım olanaklarını araştırdı. Beyin Ekran üç bölümden oluşuyor: Minör-düşünce: Zaman-imaj ya da Video-imaj: Godard, Bresson, Tarkovski; Montaj-düşünce: Şok-imaj: Eisenstein, Güney, Lanzman; Aralık-düşünce: Rizom-İmaj: Vertov. Beyin Ekran, Baker’in sinema yazılarının bir montajıdır, onun deyişiyle “düşünen” bir kitaptır.
Video Aktivizmde Kavramlar Sorunlar Uygulamalar
Günümüzde endüstriyel ana akım medyanın sembolik üretim yapısı nedeniyle, bir yandan medya içerikleri kısırlaşırken diğer yandan üretilen haberler güvenilmez hale gelmiştir. Ana akım medyanın kamu adına, yurttaş demokrasisinin geleceği için gözlemcilik görevini yapamaz hale geldiği giderek daha çok netleşmektedir. Bu nedenle gazetecilik mesleğini tanımlayan kriterler, normlar ve misyonlar da yeniden tanımlanmak zorunda kalmaktadır. Teknolojik gelişmeler, özellikle de iletişim ve kayıt teknolojileri, bir yandan devlet ve istihbarat örgütlerine sıradan yurttaşları gözetleme olanakları sağlarken, diğer yandan da yine sıradan yurttaşın tanıklığ...
Autonomous Archiving
Institutional archival practices often tend to serve the legacy of colonisation, surveillance, and discipline in our modern society. Over the past decade, with the rapid rise of digital technology and social networks, detecting, recording, and accumulating images has become commonplace. This has resulted in the archiving of videos and other types of visual images through non-institutional bodies and practices, as well as discussions related to image, open source, collectivity, and forensics. This book gathers writings by several authors about their practices and views on archives from different perspectives (forensics, decolonisation, and commons) and includes interviews with video activists.
Nation-Building in Modern Turkey
From 1924 to 1946 the Republic of Turkey was in effect ruled as an authoritarian single-party regime. During these years the state embarked upon an extensive reform programme of modernization and nation-building. The Kemalist reform movement has been extensively studied in its institutional dimensions as a state project of top-down reform; however, Nation-Building in Modern Turkey offers a fresh look at these formative years of the Turkish state. It studies modernist nation-building and state-society relations from a novel perspective through the study of the People's House, an institution aiming at the propagation of the modernist reforms to Turkey's urban population in the 1930s and 1940s....
Repair, Brokenness, Breakthrough
Exploring some of the ways in which repair practices and perceptions of brokenness vary culturally, Repair, Brokenness, Breakthrough argues that repair is both a process and also a consequence which is sought out—an attempt to extend the life of things as well as an answer to failures, gaps, wrongdoings, and leftovers. This volume develops an open-ended combination of empirical and theoretical questions including: What does it mean to claim that something is broken? At what point is something broken repairable? What are the social relationships that take place around repair? And how much tolerance for failure do our societies have?
Video Theory
Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.
İnşaatçıların tarihi
None
Kader
Demirkubuz, Zeki, 1964-; motion picture director; biography; Turkey; motion picture; 20th century; history and criticism; interview.
