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Imagining Creation is a collection of views on creation by noted authors from different disciplines. Topics include creation accounts and iconography from Mesopotamia and Egypt, and cosmologies from India and Africa. Special attention is devoted to creation in the Scriptures (Bible and Koran) and related oral traditions on Genesis from Slavonic Europe, as well as Kabbalah. Some of the creations myths are earlier and some later than the Bible, while a number of the discussed texts offer alternative approaches to the beginnings of the universe. The contributions provide many new perspectives on the origins of man and his world from diverse cultures. The volume is the proceedings of a symposium on creation stories held at University College London.
A collection of articles that details the efforts of the Correlates of War Project in data generation and indicator construction
This study helps users find their way through the jungle of governance indicators, and shows how they tend to be widely misused both in international comparisons and in tracking changes in individual countries.
"That Mr. Prendergast is unusually well-equipped to discuss both the technology and the aesthetics of film music is revealed once more in this second edition, particularly in the new section on synthesizers. And in this discussion he is disarmingly frank and perceptive. The hands-on experience he has had as one of Hollywood's leading music editors has allowed him to make comments and judgments that serve the history of film music." William Kraft, composer, from the Foreword"
divA critical reexamination of the work of J. David Singer's influential Correlates of War project /DIV
The reader will not need more than a glance at this book to discover that it arose out of the ashes of long-forgotten controversies, and was written at a tender age when the splitting of hairs seemed to its author more important than making new discoveries. We may imagine him, as he sat in his panelled Oxford study, the work for his degree pushed to one side, floor and table laden with early writings on the film-the work of such practical masters as Pudovkin, Eisenstein and Grierson, and the scourings of critics and others whose names have not survived the years. What had they to say, these early analysts? Had they established the theory of the film as a veritable art? Had they sufficiently distinguished it from the art forms out of which it grew? Above all, had they fully appreciated the grounds of this distinction? The young author did not think so. With all the heady enthusiasm of his twenty years, and unembarrassed by any actual contact with film, he felt that he had the answer.
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The practice of good governance distinguishes successful democratic nations from those many states which do little for their people. Governance is the delivery of a number of critical public goods to citizens: security, rule of law, political freedoms, an enabling framework for economic performance, education, health, and so on. Where a regime fails to perform?fails to provide reasonable quantities and qualities of essential public goods?it is governing poorly. But can the nations of the world, particularly the nations of the developing world, be rated according to how well they govern? Is it desirable, and possible, to develop a set of rankings of countries with the best governed at the top...