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Teodoro Moscoso and Puerto Rico's Operation Bootstrap
"Fascinating. . . . [Maldonado's] extensive interviews of Moscoso are unique and help make this a highly original work. . . . He deserves this amount of attention as the man who, next to Luis Muñoz, was the dominant figure in the Puerto Rico renaissance of the 1950s."--Thomas L. Hughes, Carnegie Endowment for International Peace "Maldonado does a superb job in presenting Teodoro Moscoso's role generally and the decisive actions he took at critical junctures in particular."--Rafael de Jesús Toro, dean of business administration, Interamerican University of Puerto Rico, and professor of economics, University of Puerto Rico A. W. Maldonado tells the story of Puerto Rico's extraordinary climb ...
Boom and Bust in Puerto Rico
Who is to blame for the economic and political crisis in Puerto Rico—the United States or Puerto Rico? This book provides a fascinating historical perspective on the problem and an unequivocal answer on who is to blame. In this engaging and approachable book, journalist A. W. Maldonado charts the rise and fall of the Puerto Rican economy and explains how a litany of bad political and fiscal policy decisions in Washington and Puerto Rico destroyed an economic miracle. Under Operation Bootstrap in the 1950s and '60s, the rapid transformation and industrialization of the Puerto Rican economy was considered a “wonder of human history,” a far cry from the economic “death spiral” the isl...
Intellectual Decolonisation
This book puts contemporary calls for decolonisation in context. Featuring an interdisciplinary team of scholars from around the world, the book explores and critically assesses the diverse theoretical visions which inform calls for decolonisation of the mind today. Contemporary calls to decolonise focus less on politico-economic relations between states, more on culture and ideas. Sometimes museums are the target, sometimes universities or academic disciplines, sometimes entire legal systems. Commentators and activists speak out for, others against, intellectual decolonisation: decolonisation of the mind. But what is the colonisation which intellectual decolonisation undoes? Under what circ...
IN THE SKY SITS AN EYE!
The story opens with tragedy on both sides of the world: in the USA, a US pilot by the name of Tyler is grief stricken by a tragic turn of events; in Iraq, Husna loses her husband and two young sons in a drone strike. Ironically, Tyler is a drone operator on Creech Airbase in Nevada, waking up with dreams of blood and gore as the psychological stresses of this 21st century killing mode takes its toll on his mental health. Husna, a beautiful woman, is on a mission of revenge: she sets off for the USA determined to kill as many Amerikanis as she can. She is chillingly clinical as she starts her killing spree in mainland America. At first, the police think they are searching for a serial killer. In a way, they are, but soon discover there is something extra about these gruesome murders. "She's a serial killer with attitude. She's also beautiful and dangerous. Fuelled by a consuming and bitter need for revenge she leaves Iraq for the USA. Her objective is simple: to kill as many Americans as she can!"
Puerto Ricans in the Empire
Most studies of Puerto Rico’s relations with the United States have focused on the sugar industry, recounting a tale of victimization and imperial abuse driven by the interests of U.S. sugar companies. But inPuerto Ricans in the Empire, Teresita A. Levy looks at a different agricultural sector, tobacco growing, and tells a story in which Puerto Ricans challenged U.S. officials and fought successfully for legislation that benefited the island. Levy describes how small-scale, politically involved, independent landowners grew most of the tobacco in Puerto Rico. She shows how, to gain access to political power, tobacco farmers joined local agricultural leagues and the leading farmers’ associ...
With and Against
No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichs about its purported leader Guy Debord, the "society of the spectacle," dtournement and drive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. With and Against reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
