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Captivity narratives have been a standard genre of writings about Indians of the East for several centuries.a Until now, the West has been almost entirely neglected.a Now Gregory and Susan Michno have rectified that with this painstakenly researched collection of vivid and often brutal accounts of what happened to those men and women and children that were captured by marauding Indians during the settlement of the West."
When Jak retreats to the ravine near his home in Brantford, Ontario, to avoid a bully, he encounters Grandfather Rock, who tells him stories about the original inhabitants of the area, and with the lessons he learns he tries to protect the ravine from developers.
John Prendergast's account of the Cromwellian settlement of Ireland contains the following specific genealogical information: (1) certificates or letters of dispensation naming a number of the Irish exiles and their families; (2) various account books, arranged by barony, identifying several hundred Adventurers and showing the location and value of the Irish land they were awarded; and (3) a list of more than 1,350 Adventurers (or their widows), giving their occupations and subscriptions.
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For thousands of years, people have engaged in ritualistic marking of the skin to identify themselves as a member of a tribe, of a lineage, of a mindset, or of a subculture. The ancient art of tattooing is a tradition we carry on to this day. While the past 10 years have seen no shortage of books about tattoos and tattooing, most are best described as “idea books.� Until now, none have profiled the world’s most renowned artists across a variety of styles. This book explores this most basic form of self-expression by showcasing the studios and work of 18 of the world’s top tattoo artists, including Sulu’ape Angela (San Diego), Aaron Bell (Seattle), Bugs (Los An...
Professional tattoo artists and their clients showcase tattoo imagery in various forms, featuring traditional and neo-traditional Americana, Japanese themes, and New School designs. Find geishas, sugarskulls, dragons, and more executed with the utmost care and precision in this unique display of tattoo art that goes beyond the ordinary flash book to convey how inspiration makes its way from mind to skin. This celebration of the twentieth anniversary of the original Slave to the Needle tattoo shop in Seattle starts with an illustrated history of how the shop came to be--during the "Tattoo Renaissance" of the mid-'90s. There is a section dedicated to paintings and ink drawings of surreal and fantasy art and vibrant flash, followed by a collection of stunning sleeve, backpiece, and bodysuit designs created by the shop's owner, crew, and guests. This retrospective is a vital component to any serious tattoo artist or collector's library.
How does Dillon take care of Coke when Coke's destroying himself? Bullfighter Coke is having a rough time in the Roughstock universe. When his dear friend Sam Bell is injured at the finals of the bull riding season, he takes that and his injuries pretty hard. His very own clown, Dillon, is determined to take care of Coke, which is tough when Coke is usually the one to care for everyone. Coke has a huge secret from his past, though, and, when Dillon digs to discover what it is, the skeletons in Coke's closet threaten to destroy both men.
Roughstock: Part Two Coke's Clown How does Dillon take care of Coke when Coke's destroying himself? Bullfighter Coke is having a rough time in the Roughstock universe. When his dear friend Sam Bell is injured at the finals of the bull riding season, he takes that and his injuries pretty hard. His very own clown, Dillon, is determined to take care of Coke, which is tough when Coke is usually the one to care for everyone. Coke has a huge secret from his past, though, and, when Dillon digs to discover what it is, the skeletons in Coke's closet threaten to destroy both men. Back to Back Landon knows who he wants, he's been dreaming about Adam Taggart his whole life. Tag, though? He thinks Landon...
In his study of the civilian population that fell victim to the brutality of the 1860s Kansas Indian wars, Jeff Broome recounts the captivity of Susanna Alderdice, who was killed along with three of her children by her Cheyenne captors (known as Dog Soldiers) at the Battle of Summit Springs in July 1869, and of her four-year-old son, who was wounded then left for dead.