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Abdelkébir Khatibi
Abdelkébir Khatibi is one of the most important voices to emerge from North Africa in postcolonial studies. This book is the first to offer a thoroughgoing analysis in English of all aspects of his multifaceted thought, as it ranges from Moroccan politics to Arabic calligraphy, and from decolonisation to interculturality.
Plural Maghreb
Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khat...
Tattooed Memory
Tattooed Memory (La Mémoire tatouée) is the first novel of the great Moroccan critic and novelist Abdelkébir Khatibi (1938-2009). Only one other novels has been translated into English (Love In Two Languages, 1991). Khatibi belongs to the generation following the foundational generation of writers such as Driss Chraïbi. For Khatibi's generation, French colonialism is a vibrant memory - but a memory from childhood. Tattooed Memory is part bildungsroman, part anticolonial treatise, and part language experiment, and it takes us from earliest childhood memory to young adulthood.
Open Correspondence
This unique exchange between two important North African artists and scholars defines Aimance, the space and emotion of platonic love in dissent of cultural prohibition. Bridging a gap between Francophone and Postcolonial studies, Open Correspondence sheds light on an important corpus of literary and cultural production crucial to understanding the tensions and dynamics of the social and political landscape in contemporary Morocco and by extension North Africa.
The Splendour of Islamic Calligraphy
Calligraphy, the art which combines visual image and written word, is perhaps at its most brilliant in the arts of Islam. This is clearly evident on the pages of this book, widely acclaimed on first publication as the most sumptuous and beautiful study ever produced on the subject. Now available again, it combines numerous illustrations of Arabic scripts with an informative background history and a thorough analysis of the geometrical and ornamental principles involved in the calligraphic art.
Islam and Postcolonial Narrative
In Islam and Postcolonial Narrative, John Erickson examines four major authors from the 'third world'.
Class Warrior—Taoist Style
Abdelkébir Khatibi (1938 – 2009) is one of the most important writers and thinkers to emerge from North Africa in the second half of the twentieth century. Though not widely known beyond the Francophone world, Khatibi's critical and creative works speak to the central concerns of postcolonial and postmodern life. Offered here in English for the first time, his long poem from 1976, Le lutteur de classe à la manière taoïste is a wildly inventive, transgressive, and important text. Class Warrior delivers a kind of free-verse Marxist handbook, written with the energy, movement, and style of a highly idiosyncratic Taoism. Matt Reeck's compelling translation captures the stylistic and themat...
From Sign to Image
This text is among the first to delve deeply into the little known history of Moroccan carpets. Among the revelations this book provides is the correction of the widely held belief that "no Moroccan or Tunisian carpets predates the 19th century". There are three sections covering the historical, technical and aesthetic significance of Morocco's carpet weaving heritage. The technical and aesthetic sections are the most exhaustive - the former covering the three main styles of carpets, and the latter exploring the various styles and thoughts that inspire the imagery of the carpets.
Narratives of Catastrophe
Narratives of Catastrophe tells the story of the relationship between catastrophe, in the senses of "down turn" and "break," and narration as "recounting" in the senses suggested by the French term récit in selected texts by three leading writers from Africa. Qader's book begins by exploring the political implications of narrating catastrophic historical events. Through careful readings of singular literary texts on the genocide in Rwanda and on Tazmamart, a secret prison in Morocco under the reign of Hassan II, Qader shows how historical catastrophes enter language and how this language is marked by the catastrophe it recounts. Not satisfied with the extra-literary characterizations of cat...
