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Abel Carlevaro
This advanced piece features mixed meters and an overall new, 20th-century approach to the classical guitar. In English and Spanish.
Carlevaro Plays Carlevaro
World renowned guitarist Abel Carlevaro playing 11 of his own works. Recorded in 1985. Pieces include the five-movement Preludios Americanos, three Estudios, and the sonata Cronomias with generous liner notes on each piece.
Abel Carlevaro guitar masterclass: 10 studies
Technique, Analysis and Interpretation of 10 of Fernando Sor's best known Studies.
Arenguay Duo Concertante for 2 Guitars
Abel Carlevaro's composition for duo concert guitars. This advanced level piece utilizes the upper range of the guitars as well as having many chromatic and atonal melodies. In ENGLISH and SPANISH.
Technique, Analysis & Interpretation Of: Heitor Villa-Lobos: 12 Studies (1929)
In this book, masterful Uruguayan guitarist and teacher Abel Carlevaro (1918-2001) offers insights to the performance of the 12 Studies (1929) by Heitor Villa-Lobos. Without presenting the complete works being analyzed, Carlevaro guides the student through the most challenging parts of each of these twelve landmark pieces. Using short examples and facsimiles of a few bars of the original manuscripts given to him by Villa-Lobos himself, Carlevaro reveals profound and illuminating insights. For the advanced student, its almost like being in a real master class with the maestro himself. This book is written in standard notation only. "Villa-Lobos gave birth to the modern guitar, forging a new path for it; the newly expanded musical and technical possibilities have greatly benefited the repertoire for the instrument." -Abel Carlevaro
His Last Works
The milonga began as a simple song accompaniment and is one of the oldest song and dance forms to originate in Argentina and Uruguay. Uruguayan composer, concert guitarist and teacher, Abel Carlevaro (1918-2001) preferred to take his time while composing and spent more than a year writing the two Milonga Suites in this collection. They comprise the last major works that Carlevaro wrote. By contrast, Aires de Malambo and the Milonga para Ling were both written in a single day as exercises for specific students, Nestor Ausqui and Dr. Ling Kan respectively. Written some thirty years apart, it is unlikely that Carlevaro ever expected to see their publication. The extraordinary music in this collection reflects both Carlevaros dedication to his students and the music of his homeland. The music is written in standard notation only and is recommended for the intermediate to advanced classic guitarist.
