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Mourning a Father Lost
Returning to the kibbutz of his childhood to attend his father's funeral, Avraham Balaban confronts his buried yet still intensely painful childhood memories. Comparing the kibbutz of today with that of his early years, the author weaves together two interrelated stories: a sensitive artist growing up in the intensely pragmatic world of Kibbutz Huldah and the rise and fall of a grand yet failed social experiment. As he moves through the seven days of sitting shivah for his father, Balaban experiences an expanding cycle of mourning--for self, family, the kibbutz, and Israel itself. With a poet's keen voice, Balaban pens a poignant, frank portrait of the emotional damage wrought by the kibbutz...
The Chicago Movie Palaces of Balaban and Katz
A pictorial history of the movie theater business of the Balaban and Katz Theater Corporation in Chicago.
Theology, Fantasy, and the Imagination
Theology, Fantasy, and the Imagination offers analyses of the theological, philosophical, and religious imagination found in fantasy literature, the theological imagination, and table-top games. Part I offers an invocation to the study through a theological reflection of the “old magic.” Part II analyzes classical Christian fantasy—ranging from dogmatic theological reflection on the fantastic imagination to analyses of C.S. Lewis and J.R.R. Tolkien. Part III analyzes the post-Christian turn in fantasy after about 1960 through today—featuring methodological, theological, and philosophical essays that reflect a movement beyond Christianity in the fantasy literature and writings of Rabbi Shagar, Ursula le Guin, Terry Pratchett, Robert Jordan and David Eddings, and Brandon Sanderson and Orson Scott Card. Part IV closes with two analyses of the religious and philosophical dimensions of table-top games, including Dungeons and Dragons and Magic: the Gathering. Theology, Fantasy, and the Imagination offers astute analyses of how theological fantasy actually is by articulating the religious, philosophical, and theological dimensions of the fantastic imagination.
Agnon’s Story
The Hebrew writer S. Y. Agnon won the Nobel prize in literature in 1966. Hundreds of literary studies and one Hebrew-language biography have been published about him. This is the first complete psychoanalytic biography in any language.
The Compass Maker
Where did the Liahona come from? Who constructed it? How did it get in front of Lehi's tent? In The Compass Maker, a novel set in 600 B.C. Jerusalem, a skilled and faithful metalworker named Ezra has a vision of a mysterious brass compass that he is commanded to build. Just before the vision occurs, Ezra has constructed and delivered to the powerful Laban one of the greatest and most famous swords in history-a sword that, in a twist of fate and irony, becomes the instrument of Laban's own death. Will Ezra's wife, who has lost her faith, or the mounting political intrigues swirling around him derail Ezra's efforts to build the compass on time? The Compass Maker is a story of faith, intrigue, love, and sacrifice in which ancient characters-both real and fictional-take part in the unfolding drama of the beginnings of Book of Mormon history in ancient Jerusalem.
Popular Culture and the Shaping of Holocaust Memory in America
The Holocaust took place far from the United States and involved few Americans, yet rather than receding, this event has assumed a greater significance in the American consciousness with the passage of time. As a window into the process whereby the Holocaust has been appropriated in American culture, Hollywood movies are particularly luminous. Popular Culture and the Shaping of Holocaust Memory in America examines reactions to three films: Judgment at Nuremberg (1961), The Pawnbroker (1965), and Schindler�s List (1992), and considers what those reactions reveal about the place of the Holocaust in the American mind, and how those films have shaped the popular perception of the Holocaust. It...
Israeli Mythogynies
SUNY Series in Modern Jewish Literature and Culture. Index.
For Fun and Profit
During the nineteenth century, leisure industries emerged to provide recreation and entertainment to Americans of all classes. Entertainment has become a multi-billion dollar industry. The essays collected here explore the transformation this wrought in leisure and analyze its effects on class relations in American society.
