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Love's Subtle Magic
The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. It began as early as the 8th century, and the first Muslim kingdom in India, the Sultanate of Delhi, was established at the end of the 12th century. This power eventually reduced to vassalage almost every independent kingdom on the subcontinent. In Love's Subtle Magic, a remarkable and highly original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination. These curious romantic tales transmit a profound religious message through the medium of adventurous stories...
Love's Subtle Magic
The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. This encounter began as early as the 8th century, and the first Muslim kingdom in India would be established at the end of the 12th century. This powerful kingdom, the Sultanate of Delhi, eventually reduced to vassalage almost every independent kingdom on the subcontinent. In 'Love's Subtle Magic', a remarkable and deeply original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination.
Cultural History of Medieval India
Cultural History Of Medieval India Is A Part Of The Series, Readings In History. The Books In This Series Have Been Edited And Put Together By Eminent Historians For Their Students. This Anthology Of Readings Seeks To Explore Indian Culture In The Medieval Period Through Five Themes: Kingship Traditions, Social Processes Of Religious Devotion, Inter-Cultural Perception, Forms Of Identities, And Aesthetics. Written By Well-Known Scholars, The Eleven Essays In This Book Present Sub-Cultures In Diverse Regional Settings Of The Subcontinent. The Articles Suggest That Culture Does Not Exist As Fragments Of The Great And Little , Or Classic And Folk In Any Given Tradition. In Fact, Variants Within...
The Magic Doe
This is a complete translation of the Mirigavati, which is both an introduction to Sufism and one of the true literary classics of pre-modern India, a story that draws freely on the large pool of Indian, Islamic, and European narrative motifs in its distinctive telling of a mystical quest and its resolution.
Madhumalati
The mystical romance Madhumalati tells the story of a prince, Manohar, and his love for the beautiful princess Madhumalati. When they are separated they have to endure suffering, adventure, and transformation before they can be reunited and experience true happiness. A delightful love story, the poem is also rich in mystical symbolism and the story of the two lovers represents the stages on the spiritual path to enlightenment. Madhumalati was written in the sixteenth century and it is an outstanding example of Sufi literature in the Indian Islamic tradition. Originally written in a dialect of Eastern Hindi it is here translated for the first time into English verse, with an introduction and notes that explain the poem's religious significance.
Love's Subtle Magic
The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. It began as early as the 8th century, and the first Muslim kingdom in India, the Sultanate of Delhi, was established at the end of the 12th century. This power eventually reduced to vassalage almost every independent kingdom on the subcontinent. In Love's Subtle Magic, a remarkable and highly original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination. These curious romantic tales transmit a profound religious message through the medium of adventurous stories...
Writing Self, Writing Empire
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Writing Self, Writing Empire examines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan “Brahman” (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan’s life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb ‘Alamgir (1658-1707), the last of the “Great Mughals” whose courts dominated the culture and politics of the subcontinent ...
Faces of God: Images of Devotion in Indo-Muslim Painting, 1500–1800
Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view. This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah. Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
Women Versed in Myth
Throughout history, men have prayed to gods and poets have interpreted ancient myths for new audiences. But what about women? With sections on teaching and modern writing, this collection of new essays examines how modern female poets--including H.D., Louise Gluck, Ruth Fainlight, Rita Dove, Sylvia Plath and others--have subverted classical expectations in interpreting such legends as Persephone, Helen and Eurydice. Other mythological figures are also explored and rewritten, including Buddhism's Kwan Yin, Celtic Macha, the Aztecs' Coatlicue, Pele of Hawaii, India's Sita, Sumer's Inanna, Yemonja of the Yoruba and many more.
Islam in South Asia in Practice
This volume of Princeton Readings in Religions brings together the work of more than thirty scholars of Islam and Muslim societies in South Asia to create a rich anthology of primary texts that contributes to a new appreciation of the lived religious and cultural experiences of the world's largest population of Muslims. The thirty-four selections--translated from Arabic, Persian, Urdu, Bengali, Tamil, Gujarati, Hindavi, Dakhani, and other languages--highlight a wide variety of genres, many rarely found in standard accounts of Islamic practice, from oral narratives to elite guidance manuals, from devotional songs to secular judicial decisions arbitrating Islamic law, and from political posters to a discussion among college women affiliated with an "Islamist" organization. Drawn from premodern texts, modern pamphlets, government and organizational archives, new media, and contemporary fieldwork, the selections reflect the rich diversity of Islamic belief and practice in South Asia. Each reading is introduced with a brief contextual note from its scholar-translator, and Barbara Metcalf introduces the whole volume with a substantial historical overview.
