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Jef Verheyen
- A superb overview of the oeuvre of a conceptual painter: Belgian artist Jef Verheyen - Publication accompanies the exhibition of the same name at the Royal Museum of Fine Arts Antwerp (KMSKA) from 23 March to 18 August 2024 - With the support of the Jef Verheyen Archive, the KMSKA and the Museum of Contemporary Art Antwerp (M HKA) Jef Verheyen - Window on Infinity reveals Verheyen's stylistic and substantive evolution, from his earliest ceramic experiments and dark contemplative spaces to his luminescent light canvases. The book contains an extensive visual essay in which Verheyen's development is depicted in dialogue with work by his contemporaries. The book has been created in collaborat...
Cinema Joostens
De tentoonstelling Cinema Joostens wordt begeleid door een tweeledige catalogus die in woord en beeld de neerslag vormt van nieuw kunstwetenschappelijk onderzoek naar het oeuvre en de beweegredenen van Paul Joostens. 00Het eerste deel verschijnt op 1 maart, het tweede deel in de loop van de zomer. Deel één bevat divers en vaak ongepubliceerd fotomateriaal, maar ook meer dan 400 illustraties van tekeningen, schilderijen, collages en assemblages. Deel twee belicht dan weer het oeuvre van Paul Joostens in relatie tot onder andere cinema, filosofie en psychoanalyse, en omvat eveneens onbekende teksten van zijn hand. 0Exhibition: Mu.Zee, Oostende, Belguim (01.03.-15.-6.2014).
Ground Sea
Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder’s associative travelogue that takes Allan Sekula’s sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary ...
2018
The eighth volume of the International Yearbook of Futurism Studies is again an open issue and presents in its first section new research into the international impact of Futurism on artists and artistic movements in France, Great Britain, Hungary and Sweden. This is followed by a study that investigates a variety of Futurist inspired developments in architecture, and an essay that demonstrates that the Futurist heritage was far from forgotten after the Second World War. These papers show how a wealth of connections linked Futurism with Archigram, Metabolism, Archizoom and Deconstructivism, as well as the Nuclear Art movement, Spatialism, Environmental Art, Neon Art, Kinetic Art and many oth...
Jules Schmalzigaug
- Brilliantly introduces Jules Schmalzigaug, Belgium's sole Futurist artist - Features the world's largest collection of Schmalzigaug's works from KMSKA (Royal Museum of Fine Arts Antwerp) - Explores his artistic journey from the academy to 'panchromy' - Covers Schmalzigaug's travels from Bruges to Venice to The Hague - Comparable to collections of renowned artists like Ensor and Rik Wouters A brilliant introduction to the work of Jules Schmalzigaug (1882-1917), Belgium's sole representative of the Futurist movement. The Royal Museum of Fine Arts (KMSKA) in Antwerp, like it does with James Ensor and Rik Wouters, boasts the world's largest collection of Schmalzigaug's works. This collection book provides ample reason to explore it, thoroughly documenting the evolution of Schmalzigaug's creative process. It traces his journey from the academy to 'panchromy', and from Bruges to Venice to The Hague.
Cinema Joostens
Cinema Joostens wordt begeleid door een tweeledige catalogus die in woord en beeld de neerslag vormt van nieuw kunstwetenschappelijk onderzoek naar het oeuvre en de beweegredenen van Paul Joostens. Het eerste deel verschijnt op 1 maart, het tweede deel op 28 juni. Deel één bevat divers en vaak ongepubliceerd fotomateriaal, maar ook meer dan 400 illustraties van tekeningen, schilderijen, collages en assemblages. Deel twee belicht dan weer het oeuvre van Paul Joostens in relatie tot onder andere cinema, filosofie en psychoanalyse, en omvat eveneens onbekende teksten van zijn hand. 0Exhibition: Mu.ZEE, Oostende, Belgium (28.06-14.09.2014).
14/18 – Rupture or Continuity
The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.
Wout Hoeboer - Hoe? Boer!
Including work by: Pierre Alechinsky, Karel Appel, Enrico Baj, Jean Brusselmans, Jacques Calonne, Sergio Dangelo, Christian Dotremont, Paul Joostens, Asger Jorn, Marcel Mariën, Joseph Noiret, Victor Servranckx, Kurt Schwitters, Serge Vandercam and others.00The immediate reason for this exhibition is a large donation of about 100 artworks by the heirs of Wout Hoeboer (1910-1983). His work fits into the series of exhibitions that began at Mu.ZEE in 2008 with presentations dedicated to artists such as Victor Servranckx, E.L.T. Mesens, Paul Joostens, Jules Schmalzigaug and others.00Exhibition: MuZee, Oostende, Belgium (28.09.2019-05.01.2020).
Allan Sekula. Ship of Fools / The Dockers’ Museum
Sekula's final work dedicated to labor solidarity in and around the docks Ship of Fools / The Dockers’ Museum is the project on which the US artist and writer Allan Sekula worked during the last three years of his life (2010–2013). The work consists, first, of a corpus of thirty-three framed photographs and two slide projections of in total over one hundred images, all made by the artist (Ship of Fools); second, it contains a gigantic collection of various objects, graphic images, postcards, and prints which the artist purchased, mostly online (The Dockers’ Museum). Sekula dedicated this work to both historical and contemporary labor solidarity in and around the docks. At the time of h...
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