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Which Face of Witch
For centuries, the figure of the witch represented the hostile and feared “other” on the edge of human society, placed “in between” the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of knowledge or magic, or evil powers derived from the devil, she was always identified with fear as a disturbance, as a danger to the order of society and to the well-being of those who understood themselves as settled within the borders of the patriarchal order and its psychological and sexual corselet. In this role, the witch appeared in numerous literary works, including, among others, writings by Chaucer, Shakespeare and Middleton. However, s...
Collecting Educational Media
Over the last two centuries, collectors from around the world have historicized, politicized, and digitized media in the pursuit of knowledge and education. This collected volume explores collections of educational media and their bearing on the ways in which people learn in both the present and future, how and why material objects have been used worldwide to store and maintain knowledge for politically expedient reasons, and how our understanding of digital collections can be adequately understood only in relation to, and as an extension and adaptation of, the historically contingent material collections from which they emerged.
Passage works
Passage Works is the first book-length English language critical analysis of the transdisciplinary work of the Austrian film-maker, writer, and artist Ruth Beckermann (b. 1952, Vienna). Beckermann’s works interrogate identity and geography as formations of the intersections between the past and the contemporary. Taking as her central topics Austria and its history and politics, her own identity as a Jewish woman, and the contemporary global geopolitics of migration and displacement, Beckermann develops wider meditations in film, art, and writing on the persistence of European memory, and the meanings of Europe itself; on borders, migrations, and identities; on memories, traumas, and traditions; on the image as marker of presence and absence, repository of the traces of historical violence; and on the passage as metaphor for a range of physical, psychological, and ideological movements defining the complexities of contemporary cosmopolitan identities.
Folkloric American Witchcraft and the Multicultural Experience
Witchcraft and magic in America is an inherently multicultural experience and the folklore of our ancestors from every country converges here at a crossroads. It’s a complicated history; one of uncertainty and fear, displacement and enslavement, merging and migration. Our ancestors may not have agreed on how they saw the world or the magic that inhabits the world, but they shared a very real fear of Witches. Hags, Devils, charms and spells; witchery is rooted in our deepest superstitions and folklore. The traditions of people and their cultures stretch and intersect across the country and this is where the unique traditions of American witchcraft and magic are born. As practitioners seek to revive and reconstruct the paths of our ancestors, we’ve begun to trace the interconnected roots of witchcraft folklore as it emerged in the Americas, from the blending of people and their faiths. For multiracial practitioners, this is part of our identity as Americans and as witches of this country. Folkloric American Witchcraft and the Multicultural Experience is an exploration of the folklore, magic and witchcraft that was forged in the New World.
Collecting Educational Media
Introduction. Collections, Collectors and the Collecting of Knowledge in Education -- Section 1. Collectors and Collecting -- Section 2. Objects, Materials, and Old and New Media -- Section 3. Access and Acquisition -- Conclusion. Collecting Literacy when Gathering, Storing and Disseminating Educational Media.
Witchcraft in Europe, 400-1700
A thoroughly revised, greatly expanded edition of the most important documentary history of European witchcraft ever published.
The Encyclopedia Of Witchcraft & Demonology
With research sourced by the world's greatest libraries, Robbins has compiled a rational, balanced history of 300 years of horror concentrated primarily in Western Europe. Spanning from the 15th century through the 18th century, the witch-hunt frenzy marks a period of suppressed rational thought; never before have so many been so wrong. To better understand this phenomenon, Robbins examines how the meaning of "witch" has evolved and exposes the true nature of witchcraft—a topic widely discussed in popular culture, though remarkably misunderstood. First published in 1959, Robbins' encyclopedia remains the most authoritative and comprehensive body of information about witchcraft and demonology ever compiled in a single volume. Lavishly acclaimed in academic and popular reviews, this full-scale compendium of fact, history, and legend covers about every phase of this fascinating subject from its origins in the medieval times to its last eruptions in the 18th century. Accompanying the text are 250 illustrations from rare books, contemporary prints, and old manuscripts, many of which have been published here for the first time.
Action Theater
Each chapter of this book presents a single day of the twenty-day training which Ruth Zaporah developed into Action Theater, her investigation into the life-reflecting process of improvisation. This book shows through exercises, stories, anecdotes, and metaphors how to focus attention on the body's awareness of the present moment, moving away from preconceived ideas. Improvisations move through fear, boredom, laziness, and distraction to a sustained awareness of creative options.
