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"Phoenix 2006 is the first issue of a new journal of Australian writing, initiated by and for candidates in the University of Sydney's Masters Program in Creative Writing. If this makes it sound like yet another journal of 'work of promise' the reader is in for a surprise: this is not promise, it is delivery. The University of Sydney is attracting some of the best new writers in the country, and this journal is more than just a showcase for the program itself. These writers are mature. Their voices, fresh as they are, are also strong and confident." - From the introduction by David Brooks, Director, M.A. program in Creative Writing
Now in its second reincarnation, Phoenix 2007 boasts a fantastic selection of student and alumni writing. This year we're proud to include children's fiction and scripts along with oodles of our poetry and prose. Inside, you will find tales of innocence, woe, love, the strange and the unknown; Phoenix 2007 is the product of a literary community in its prime, engaging with forgotten histories and the uncertainties of everyday experience. To top it off, we've got articles on the writing process from the top tier of the Australian literary community. We've included not one, but two multi-award winning children's authors! Libby Hathorn (Thunderwith, Grandma's Shoes) and Ursula Dubosarsky (Abyssinia, The Red Shoe) give us colourful and sagacious insight into the process, the audience and the industry of writing for children and young adults. In addition, Nick Riemer, at once a linguist and poet, speaks on identifying as a writer and the paradoxes of poetry. In every part evocative, intimate and accomplished, Phoenix has again proven the strength and originality of University of Sydney writers. Guest Editors: Libby Hathorn, Richard Langridge
It s something we all dread; the knock at the door from a Traffic Cop. We instantly fear the worst and for more than 3,000 families every year in Britain that fear sadly becomes a reality. The Police officer has come to deliver the news that their loved one has died in a road incident. But what happens after they have been told? Does the Police officer simply walk away? Is the family left to fend for itself? Thankfully not. A small group of specially trained Police Family Liaison Officers (FLO s) do what most of us could never do. They guide the bereaved family through the entire process, from delivering the trauma message in the first place, to helping them through the ordeal of identifying their loved one at the mortuary, right through to the inquest or court case in 12 months time and everything in between. PC Steve Woodward describes the journey the families embark upon as the biggest roller coaster ride of their lives with more highs and lows than you could ever possibly imagine.
'Unlike in Europe, North America, Australia and elsewhere, urban history has never been sustained as a distinct field of scholarship in New Zealand. This is surprising, considering that since the early twentieth century most New Zealanders have lived in towns and cities – 86 per cent were urban in 2014. Yet we know surprisingly little about these urban dwellers and the spaces in which they lived.' The pursuit of city life is one of the most important untold stories of New Zealand. The Big Smoke is the first comprehensive history to tell this story, presenting a dynamic and highly illustrated account of city life from 1840 to 1920. It explores such questions as: what did cities look like an...
Mitchell and Thompson have compiled the first interdisciplinary study of deception and its manifestations in a variety of animal species. Deception is unique in that it presents detailed explorations of the broadest array of deceptive behavior, ranging from deceptive signaling in fireflies and stomatopods, to false-alarm calling by birds and foxes, to playful manipulating between people and dogs, to deceiving within intimate human relationships. It offers a historical overview of the problem of deception in related fields of animal behavior, philosophical analyses of the meaning and significance of deception in evolutionary and psychological theories, and diverse perspectives on deception--philosophical, ecological, evolutionary, ethological, developmental, psychological, anthropological, and historical. The contributions gathered herein afford scientists the opportunity to discover something about the formal properties of deception, enabling them to explore and evaluate the belief that one set of descriptive and perhaps explanatory structures is suitable for both biological and psychological phenomena.
This collection started as a whisper, a quiet mouth asking questions. Over the years it became a coherent voice that kept getting louder. Now it is a song, sprung from a yearning to fill in the missing parts, to understand my mother's story. Perhaps it's something that goes beyond what is experiential and real and moves into memory and imagination. Perhaps it is a book of magic, of synchronicity and colliding moments in time, too strange to be logical, too concise to be chance. Ultimately, it's a way of shedding light, in order to change the direction of a past. Sometimes, I think it has been formed by my imagined daughter, clearing the way ahead before her own birth. Or by whole generations of women, celebrating a future, formed from the heart of us.
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