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Caroline Norton was separated from a husband who beat her, only to be deprived of her children. In this biography, the author reveals how she influenced public opinion and political circles to drive the Infant Custody Bill through Parliament and, in 1857, the first Divorce Act.
Born the child of an agricultural labourer in Dorset's Blackmore Vale, by self-education William Barnes (1801-1886) rose to be a lawyer's clerk, a schoolmaster, a much-loved clergyman, and a scholar who could read over seventy languages. He also became the finest example of an English poet writing in a rural dialect. In this book, Alan Chedzoy shows how, uniquely, he presented the lives of pre-industrial rural people in their own language. He also recounts how Barnes's linguistic studies enabled him to defend the controversial notion that the dialect of the labouring people of Wessex was the purest form of English.Serving both as an anthology and an account of how the poems came to be written, this biography is essential reading for anyone who wants to discover more about the man who, in an obituary, Thomas Hardy described as 'probably the most interesting link between present and past life that England possessed'.
This book is an investigation of the biases, contradictions, errors, ambiguities, gaps, and historical contexts in biographies of controversial British women who published during the long nineteenth century, many of them left unchecked and perpetuated from publication to publication. Fourteen scholars analyze the agenda, problems, and strengths of biographical material, highlighting the flaws, deficiencies, and influences that have distorted the portraits of women such as Lady Mary Wortley Montagu, Mary Wollstonecraft, Mary Hays, Sydney Owenson, Letitia Elizabeth Landon, Felicia Hemans, Elizabeth Barrett Browning, Caroline Norton, Elizabeth Gaskell, Charlotte Brontë, Lady Florence Dixie, George Eliot, and Edith Simcox. Through exposing distortions, this fascinating study demonstrates that biographies are often more about the biographer than they are about the biographee and that they are products of the time in which they are written.
Divorce is a conspicuous character trait of modernity, commonly portrayed in texts and on screen, with its moral and social rationalisation firmly rooted in Enlightenment and Romantic thought. The aim of this volume is to bring into focus this contemporary cultural fascination by assembling the variety of academic responses it has started to create. Bringing together the reflections of scholars from the UK and North America who have worked in this domain, this study offers for the first time a genuinely wide-ranging account of the depiction of divorce across the northern hemisphere in a number of media (fiction, journalism, film and television). It reaches historically from the intellectual and legal aftermath of the Enlightenment right up to the present day. As such, the collection shows both the roots of this apparently contemporary phenomenon in nineteenth-century literary practice and the very particular ways in which divorce characterises the different narrative media of modernity.
The story of the group of extraordinary eighteenth-century writers, artists, and thinkers who gathered weekly at a London tavern Named one of the 10 Best Books of 2019 by the New York Times Book Review - A Publishers Weekly Best Book of 2019 - A Kirkus Best Book of 2019 "Damrosch brings the Club's redoubtable personalities--the brilliant minds, the jousting wits, the tender camaraderie--to vivid life."--New York Times Book Review "Magnificently entertaining."--Washington Post In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk's Head Tavern in London to dine, drink, and talk until midnight. Eventua...
Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
A novel, which addresses central themes of adultery, obsession and inheritance. It follows the fortunes of Matilda Melbourne who displays virtue, delicacy and an unwavering commitment to the sometimes ruthless demands of parental authority.
A look at the tragically short life of the only daughter of Britain’s King George IV who won the heart of a nation. As the only child of the Prince Regent and Caroline of Brunswick, Princess Charlotte of Wales (1796-1817) was the heiress presumptive to the throne. Her parents’ marriage had already broken up by the time she was born. She had a difficult childhood and a turbulent adolescence, but she was popular with the public, who looked to her to restore the good name of the monarchy. When she broke off her engagement to a Dutch prince, her father put her under virtual imprisonment, and she endured a period of profound unhappiness. But she held out for the freedom to choose her husband,...