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This guide to Native American history and culture outlines new ways of understanding American Indian cultures in contemporary contexts.
Hovedsageligt om de moderne, amerikanske, indianske forfattere N. Scott Momaday, LeslieMarmon Silko, D'Arcy McNickle, Louise Erdrich, og: Gerald Vizenor.
Native American Studies covers key issues such as the intimate relationship of culture to land; the nature of cultural exchange and conflict in the period after European contact; the unique relationship of Native communities with the United States government; the significance of language; the vitality of contemporary cultures; and the variety of Native artistic styles, from literature and poetry to painting and sculpture to performance arts.
At a particularly urgent world-historical moment, this volume brings together some of the leading researchers of social movements and global social change and other emerging scholars and practitioners to advance new thinking about social movements and global transformation. Social movements around the world today are responding to crisis by defying both political and epistemological borders, offering alternatives to the global capitalist order that are imperceptible through the modernist lens. Informed by a world-historical perspective, contributors explain today’s struggles as building upon the experiences of the past while also coming together globally in ways that are inspiring innovati...
The first book devoted exclusively to the poetry and literary aesthetics of one of Native America’s most accomplished writers, this collection of essays brings together detailed critical analyses of single texts and individual poetry collections from diverse theoretical perspectives, along with comparative discussions of Vizenor’s related works. Contributors discuss Vizenor’s philosophy of poetic expression, his innovations in diverse poetic genres, and the dynamic interrelationships between Vizenor’s poetry and his prose writings. Throughout his poetic career Vizenor has returned to common tropes, themes, and structures. Indeed, it is difficult to distinguish clearly his work in poetry from his prose, fiction, and drama. The essays gathered in this collection offer powerful evidence of the continuing influence of Anishinaabe dream songs and the haiku form in Vizenor’s novels, stories, and theoretical essays; this influence is most obvious at the level of grammatical structure and imagistic composition but can also be discerned in terms of themes and issues to which Vizenor continues to return.
Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic realist fiction can be produced also at what is usually considered to be the cultural centre without forfeiting the mode’s postcolonial attitude and aims. A close analysis of works by Angela Carter, Salman Rushdie, Jeanette Winterson, Robert Nye and others reveals how the techniques of magic realism generate a complex critique of the West’s rational-empirical worldview from within a Western context itself. Understanding magic realism as a fictional analogue of anthropology and sociology, Lies that Tell the Truth reads the mode as a frequently humorous but at the same time critical investigation into people’s attempts to make sense of their world. By laying bare the manifold strategies employed to make meaning, magic realist fiction indicates that knowledge and reality cannot be reduced to hard facts, but that people’s dreams and fears, ideas, stories and beliefs must equally be taken into account.
By revisiting some of the classics of the genre and offering critical readings of their distinctive qualities and shades of meaning, Purdy celebrates their dynamic literary qualities. Interwoven with this personal reflection on the last thirty years of work in the genre are interviews with prominent Native American scholars and writers (including Paula Gunn Allen, Simon Ortiz, Gerald Vizenor, Sherman Alexie, and Louis Owens), who offer their own insights about Native literatures and the future of the genre. In this book their voices provide the original, central conversation that leads to read.
Since the rise of the Native American Renaissance in literature and culture during the American civil rights period, a rich critical discourse has been developed to provide a range of interpretive frameworks for the study, recovery, and teaching of Native American literary and cultural production. For the past few decades the dominant framework has been nationalism, a critical perspective placing emphasis on specific tribal nations and nationalist concepts. While this nationalist intervention has produced important insights and questions regarding Native American literature, culture, and politics, it has not always attended to the important fact that Native texts and writers have also always...
"To Come to a Better Understanding examines the intercultural (mis)understandings between medicine men and Jesuit priests during a five-year dialogue on the Rosebud Indian Reservation from 1973-1978"--Provided by publisher.
Gerald Vizenor counters the cultural notions of dominance, false representations, and simulations of absence, and, by documents, experience, and theories, secures a narrative presence of Native Americans.