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The International Commission on Mathematical Instruction, 1908-2008: People, Events, and Challenges in Mathematics Education
The book presents the history of ICMI trough a prosopographical approach. In other words, it pays a lot of attention to the actors of the International movement. The portraits of the members of the ICMI Central Committees (1908-1936) and ICMI Executive Committees (1952-2008), and other eminent figures in ICMI history, who have passed away in the first 100 years of its life, are the guiding thread of the volume. Each portrait includes: · Biographical information · An outline of the various contributions made by the individual in question to the study of problems pertaining to mathematics teaching/education · Primary bibliography · Secondary with particular attention to the publications co...
Early Dutch Painting
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Yesterday
Nostalgia, supposedly, is the sphere of the sentimentalist. But also, and most definitely, it is a force in the creation of the present and future and thus worth careful thought. Yesterday argues that nostalgia's critics defend an idea of progress as naïve as the longing they denounce, while conflating nostalgia itself with historical whitewashing.
Translating the Past
In 1409 Laurent de Premierfait produced a French translation of Giovanni Boccaccio s "De casibus virorum illustrium," a fourteenth-century text containing cautionary historical tales that exemplify the corrupting effects of power. Richly illustrated copies of the translation, known as "Des cas des nobles hommes et femmes," became enormously popular, allowing for a consideration not only of how Boccaccio s Latin made its way into Laurent s French but also how the text was converted into visual images. In "Translating the Past," art historian Anne D. Hedeman traces the history of Laurent s work from the first copies made for the dukes of Berry and Burgundy to manuscripts independently produced by artists and booksellers in Paris. In certain cases, masterpieces resulted, such as the copy owned by the J. Paul Getty Museum, which was painted around 1415 by the Boucicaut Master under King Charles VII of France."
Dürer and Beyond
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
The Prayer Book of Charles the Bold
In January 1469, the accounts of Duke Charles the Bold of Burgundy (reigned 1467-77) record a payment to the noted scribe Nicolas Spierinc 'for having written ... some prayers for my lord.' Seven months later, the same accounts record a payment to the illuminator Lievin van Lathern for twenty-five miniatures plus borders and decorated initials in the same manuscript. In this study, the late Antoine de Schryver - an internationally renowned art historian - presents a thoroughly researched and balanced argument suggesting that the documents refer to the exquisite prayer book of Charles the Bold which can now be found in the collection of the J. Getty Museum. --book jacket.
The Last Knight
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Paragons and Paragone
"Preimesberger's incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning."--Jacket.
The War of Guns and Mathematics
For a long time, World War I has been shortchanged by the historiography of science. Until recently, World War II was usually considered as the defining event for the formation of the modern relationship between science and society. In this context, the effects of the First World War, by contrast, were often limited to the massive deaths of promising young scientists. By focusing on a few key places (Paris, Cambridge, Rome, Chicago, and others), the present book gathers studies representing a broad spectrum of positions adopted by mathematicians about the conflict, from militant pacifism to military, scientific, or ideological mobilization. The use of mathematics for war is thoroughly examin...
