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Yesterday
Nostalgia, supposedly, is the sphere of the sentimentalist. But also, and most definitely, it is a force in the creation of the present and future and thus worth careful thought. Yesterday argues that nostalgia's critics defend an idea of progress as naïve as the longing they denounce, while conflating nostalgia itself with historical whitewashing.
The Greater Glory of God
One man can make—or break—Earth's iron grip on its galactic colonies: Stone Chalmers. Spy. Assassin. Earth's top operative. From the religious colony world of Trinity come clues of a long-lost prize. The last warpdrive ship outside Earth's control. Stone's mission: journey through an artificial wormhole to the planet. Verify the reports. And if the ship exists, prevent its use by Earth's enemies. Going undercover, with a cover persona overlaid on his mind, the only thing holding him back is an unwanted partner from a rival agency among Earth's rulers. Then he finds rich and powerful colonists hunt the missing ship for their own nefarious purposes. A ship that could devastate Earth in a suicide mission. Or worse. Join Stone in a nerve-wracking game of intrigue on a world of secrets in this, the second adventure in his complete four-novel series.
Tell It to the World
What happens when Broadway goes abroad? Tell It to the World: The Broadway Musical Abroad offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It also shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.
Sexuality and Consumption
The volumes in the series Werbung - Konsum - Geschichte investigate advertising, marketing, consumerism, and material culture both past and present by taking perspectives from the humanities, the social sciences, cultural studies, communication studies, and integrative scholarship. The series' editorial team aims to promote productive discursive and interdisciplinary exchange, and to provide fresh impetus for further research into these areas. Editorial board: Reinhild Kreis, Holger Schramm und Guido Zurstiege.
The Cambridge Companion to Operetta
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
The Operetta Empire
CHOICE Outstanding Academic Title, 2022 "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
Local Lives, Parallel Histories
Thirty years after German reunification, we still know little about what division meant to Germans who lived far from divided Berlin or the inner-German border. This work uses oral history interviews and archival evidence to compare how villagers in East and West experienced the two very different social and political systems in their localities.
Emotional Cities
Emotional Cities offers an innovative account of the history of cities in the second half of the nineteenth century. Analyzing debates about emotions and urban change, it questions the assumed dissimilarity of the history of European and Middle Eastern cities during this period. The author shows that between 1860 and 1910, contemporaries in both Berlin and Cairo began to negotiate the transformation of the urban realm in terms of emotions. Looking at the ways in which a variety of urban dwellers, from psychologists to bar maids, framed recent changes in terms of their effect on love, honor, or disgust, the book reveals striking parallels between the histories of the two cities. By combining urban history and the history of emotions, Prestel proposes a new perspective on the emergence of different, yet comparable cities at the end of the nineteenth century.
