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Purposes of Art
Purposes of Art: An Introduction to the History and Appreciation of Art was written by art historian Albert Edward Elsen. This work delves into the visual arts such as painting, drawing and sculpting. In Purposes of Art the author has opted not to simplify the discussion in order to attract a larger audience. Rather, Elsen's work is intended for those with a keen interest in art history and who thus have a base of knowledge in the subject matter. The book is not organized chronologically, as many books of art history are, but rather thematically. Each theme contains an examination of a number of different works, often from very different time periods. Examples of themes discussed include ima...
Purposes of Art
Purposes of Art: An Introduction to the History and Appreciation of Art was written by art historian Albert Edward Elsen. This work delves into the visual arts such as painting, drawing and sculpting. In Purposes of Art the author has opted not to simplify the discussion in order to attract a larger audience. Rather, Elsen's work is intended for those with a keen interest in art history and who thus have a base of knowledge in the subject matter. The book is not organized chronologically, as many books of art history are, but rather thematically. Each theme contains an examination of a number of different works, often from very different time periods. Examples of themes discussed include ima...
Rodin's Art
The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor to build up a major collection of Rodin's work. A large part of this collection, consisting of more than 200 pieces, was donated to the Stanford Museum by Mr. Cantor, who died recently. In size it is surpassed only the by the Mus?e Rodin in Paris and rivaled only by the collectio...
Rodin
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Rodin [Elsen].
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The Originality of the Avant-Garde and Other Modernist Myths
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Origins of Modern Sculpture: Pioneers and Premises
An examination of revolutionary sculptors and pieces of sculpture that emerged between 1890 and 1918.
