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This groundbreaking volume presents, for the first time in English, a broad historical review of the researches carried out over 170 years in the region of Lagoa Santa, Brazil, one of the most important archaeological regions in the Americas. From the pioneering work of the Danish naturalist Peter Lund in the XIX century to the recent research on the dispersion of early humans across South America, led by Walter A. Neves and colleagues, Lagoa Santa has offered remarkable findings, the largest collections of early human skeletons in the Americas, and has contributed to the overall discussions about the settlement of the Americas. This edited volume aims to fill the lack of publications in Eng...
Activist Biology is the story of a group of biologists at the National Museum in Rio de Janeiro who joined the drive to renew the Brazilian nation, claiming as their weapon the voice of their fledgling field. It offers a portrait of science as a creative and transformative pathway. This book will intrigue anyone fascinated by environmental history and Latin American political and social life in the 1920s and 1930s.
Período colonial: o Cruzeiro do Sul na Terra do Pau Brasil; 1808-1889: Ciência e técnica na Trilha da Liberdade; 1889-1930: Ciência e tecnologia nos Processos de Urbanização e Industrialização; 1930-1964: Período Desenvolvimentista; 1985-2000: A Nova República.
The first volume of Viaggiatori “Curatele” series seeks to recreate some scientific dialogues, namely meetings, exchanges and acquisition of theoretical and practical scientific knowledge, thus linking the cultural, historical and geographical context of America, Asia, Europe and Mediterranean Sea between the 16th and the 20th century. More specifically, the main objective is to consider the role of travellers as passeurs, as “intermediaries” for building and allowing the circulation of knowhow and the practical and theoretical knowledge from one continent to another.
In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getúlio Vargas (1883–1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state’s power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade—an intangible yet highly coveted sense of Brazilianness. Wil...
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Revista do Museu Paulista, Tomo 11, Parte 2 (pag. 410-928)