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Measuring Heaven
Surviving fragments of information about Pythagoras (born ca. 570 BCE) gave rise to a growing set of legends about this famous sage and his followers, whose reputations throughout Antiquity and the Middle Ages have never before been studied systematically. This book is the first to examine the unified concepts of harmony, proportion, form, and order that were attributed to Pythagoras in the millennium after his death and the important developments to which they led in art, architecture, mathematics, astronomy, music, medicine, morals, religion, law, alchemy, and the occult sciences. In this profusely illustrated book, Christiane L. Joost-Gaugier sets out the panorama of Pythagoras's influenc...
Anthroposophy and the Accusation of Racism
"No longer should the blood that runs through the ancestors be of sole account. From this point onward, what every single person achieves in one's soul shall count. Every single human being shall be of value during their incarnation..." -- Rudolf Steiner The original subtitle of Rudolf Steiner's Philosophy of Freedom (1894) --"the basis for a modern worldview" --points to the lifelong project with which he was engaged: laying the basic groundwork for modern (contemporary) human beings to be able to comprehend the world in which we live, beginning with ourselves as individual, utterly unique embodiments of humanity. It's a spiritual worldview born of the essence of the modern scientific recko...
Decay and Afterlife
Covering 800 years of intellectual and literary history, Prica considers the textual forms of ruins. Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, a...
The Garden of Delights
In The Garden of Delights, Fiona J. Griffiths offers the first major study of the Hortus deliciarum, a magnificently illuminated manuscript of theology, biblical history, and canon law written both by and explicitly for women at the end of the twelfth century. In so doing she provides a brilliantly persuasive new reading of female monastic culture. Through careful analysis of the contents, structure, and organization of the Hortus, Griffiths argues for women's profound engagement with the spiritual and intellectual vitality of the period on a level previously thought unimaginable, overturning the assumption that women were largely excluded from the "renaissance" and "reform" of this period. ...
Ordering the Heavens
The astronomy of the Carolingian era has commonly been represented as concerned exclusively with computus, the science of calendar construction as well as arithmetical calculation in general. This volume shows the error of that portrayal by exploring the study and teaching of four Roman texts on astronomy and cosmology in the Carolingian world and the diagrams connected to those texts. As each of these works came into use over the Carolingian era, its contributions merged into a progressively more ordered picture of the heavens. Both eccentrics and epicycles appeared by the 840s. These techniques were subsequently introduced clearly and qualitatively to complete the Carolingian enterprise. The primary tool for understanding this effort is the analysis of their diagrams. Medieval and Early Modern Science, vol. 8
Education – Spirituality – Creativity
Education, spirituality and creativity help to navigate possible courses of action, in a life marked by commercialization and loss of meaning. Education that promotes knowledge and managing information while neglecting autonomous cognition and creative action can be found everywhere. On the other hand, education, spirituality and creativity are essential for a life led with awareness, empathy and criticism that are reflected upon in the present anthology by authors from Brazil and Europe. They inspire new educational approaches and encourage immersing oneself in undefined and uncertain phenomena.The Editors
The Conspiracy of Allusion: Description, Rewriting, and Authorship from Macrobius to Medieval Romance
Chrétien de Troyes's reference to Macrobius on the art of description is indicative of the link between the vernacular literary tradition of rewriting and the Latin tradition of imitation. Crucial to this study are writings that bridge the span between elementary school exercises in imitation and the masterpieces of the art in Latin and French. The book follows the development of the medieval art of imitation through Macrobius and commentaries on Horace's Art of Poetry and then applies it to the interpretation of works on the Trojan War, consent in love and marriage, and lyric and vernacular insertions.
Living Forms of the Imagination
Explores the necessity of enabling the imagination to prevail as part of an anti-reductionist approach, to philosophical theology, if we are to engage with God's action in the world.
Cicero in Basel
The fifteen contributions to the multilingual volume together chart Cicero's presence in the cultural history of Basel - from the city's foundation to the heyday of humanist print culture, to the cultural politics of the modern day. Written by scholars working from different academic traditions and organised in four sections, they trace a broad range of engagements with Cicero in Basel across time, thus offering the rudiments of a localised form of reception history: "Ciceronian Foundations" focuses on Cicero's role in the city's (and her university's) foundation myths; "Editions and Commentaries" centres on the Ciceronian editions and commentaries in the heyday of humanist printing culture;...
Vernacular Literary Theory in the Middle Ages
The first edition of this book appeared in German in 1985, and set a new agenda for the study of medieval literary theory. Rather than seeing vernacular writers' reflections on their art, such as are found in prologues, epilogues and interpolations in literary texts, as merely deriving from established Latin traditions, Walter Haug shows that they marked the gradual emancipation of an independent vernacular poetics that went hand in hand with changing narrative forms. While focussing primarily on medieval German writers, Haug also takes into account French literature of the same period, and the principles underlying his argument are equally relevant to medieval literature in English or any other European language. This ground-breaking study is now available in English for the first time.
