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La Comunicación Responsable exige de las personas competencias, habilidades, conocimientos y actitudes éticas para que se logren aprendizajes, saberes, prácticas, contextos y responsabilidades más humanas, sustentables, cooperativas y armónicas que deriven en un mejor actuar personal, institucional, profesional, me- diático y gubernamental. Un liderazgo ético basado en una comunicación responsable, sin duda, derivará en una mejor ciudadanía, en empresas más comprometidas, gobiernos más plurales y democráticos, en una sociedad civil más participativa y medios más preocupados por garantizar la inclusión y democratización de la acción comunicativa. Con estas coordenadas, la obra despliega el modelo de Comunicación Responsable, propuesto Hilda Gabriela Hernández Flores, en torno a la comunicación organizacional, gubernamental y política, con exploraciones en distintos estudios de caso, atendiendo a la transversalidad de la perspectiva de género y la digitalización de los procesos de comunicación.
A multidisciplinary investigation of contemporary Mexican cinema
The Political Economy of Transnational Power and Production: Mexico's Metamorphosis 1982-2022 How and why Mexico’s socioeconomic structure was transformed through plutocratic preferences, US corporate strategies, and ideology—all powering transnational processes of neoliberalization—are issues examined in this comprehensive, carefully documented publication covering four crucial decades of metamorphosis. The causes and consequences of the creation of a new, regional power bloc—the North American Free Trade Agreement (NAFTA)—are extensively examined. Readers will benefit from the many important demystifications presented here, chronicling the asymmetric Mexico-US production system. ...
The long history of the politically symbolic use of the bodies, or body parts, of martyred heroes in Latin America.
"Teresa Lozano Long Institute of Latin American Studies."
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Volume 38 showcases a broad range of medieval scholarship, including five original articles, one review article, and seven review notices.
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