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In Dervishes and Islam in Bosnia, Ines Aščerić-Todd explores the involvement of Sufi orders in the formation of Muslim society in the first two centuries of Ottoman rule in Bosnia (15th - 16th centuries C.E.). Using a wide range of primary sources, Aščerić-Todd shows that Sufi traditions and the activities of dervish orders were at the heart of the religious, cultural, socio-economic and political dynamics in Bosnia in the period which witnessed the emergence of Bosnian Muslim society and the most intensive phase of conversions of the Bosnian population to Islam. In the process, she also challenges some of the established views regarding Ottoman guilds and the subject of futuwwa (Sufi code of honour).
Significant numbers of the people enslaved throughout world history have been children. The vast literature on slavery has grown to include most of the history of this ubiquitous practice, but nearly all of it concentrates on the adult males whose strong bodies and laboring capacities preoccupied the masters of the modern Americas. Children in Slavery through the Ages examines the children among the enslaved across a significant range of earlier times and other places; its companion volume will examine the children enslaved in recent American contexts and in the contemporary/modern world. This is the first collection to focus on children in slavery. These leading scholars bring our thinking ...
Ranging from medieval times to the collapse of Yugoslavia in 1992, this volume concentrates on the internal development of the Muslim community in Bosnia-Herzegovina and its relations with various suzerains. This updated edition features new bibliographic material, including a new section on resources covering Eastern Europe and the former Yugoslavia available through the Internet.
Fabricated tells the story of 3D printers, humble manufacturing machines that are bursting out of the factory and into schools, kitchens, hospitals, even onto the fashion catwalk. Fabricated describes our emerging world of printable products, where people design and 3D print their own creations as easily as they edit an online document. A 3D printer transforms digital information into a physical object by carrying out instructions from an electronic design file, or 'blueprint.' Guided by a design file, a 3D printer lays down layer after layer of a raw material to 'print' out an object. That's not the whole story, however. The magic happens when you plug a 3D printer into today’s mind-boggl...
A stimulating, eclectic accountof new media that finds its origins in old media, particularly the cinema. In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
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Here is the key book on the key materials in art, design and shaping the environment in the 21st century. Building on the cult success of Techno Textiles, this book, newly available in paperback, features developments over the past decade. Highlighting advanced textiles in production and available to the designer, artist, architect and consumer today, it will be required reading for professionals, fashion and design aficionados and anyone prepared to be stimulated by and informed about the environment in which we now live.
The latest innovation in textiles design, paired with images that range from digital patterns to catwalk shots of the finished article The invention of the Jacquard loom in eighteenth-century France paved the way for computing and revolutionary change. From its punch-card origins, code has evolved to define and enable new methods in design, making, visualization, production and communication, achieving the previously unimaginable. Digital Visions for Fashion + Textiles: Made in Code considers how computing has reinvented image, material and structural processes, highlighting newly advancing 2D, 3D and interactive output. Pioneering shifts of practice have developed from hybrid technical and ...
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