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Offering insight into the creative processes of music composition, writing and visual art, Tinman Tre presents 150 vignettes from Author David Copes life. Some of the individuals discussed in this innovative autobiography include Orson Welles, Ernie Kovacs, Evelyn Wood, Hieronymus Bosch, Salvador Dali, Stan Laurel, Raymond Chandler, Bill Watterson, George Perle, William Holden, John Cage, Donald Erb, Gordon Mumma, George McGovern, Andre Gregory, Leon Panetta, Brian Ferneyhough, Laurie Anderson, Mickey Hart, Brian Eno, Hiram Bingham, Pinchas Zukerman, Yuja Wang, John Steinbeck, George Lucas, and Steve McQueen. The title, borrowed from L. Frank Baums book The Wizard of Oz, is an aphorism affectionately attached to Cope in the late 1990s. The reference reflects the many attitudes about his work with his computer music program, Experiments in Musical Intelligence, critics feeling the results of this program lacking heart.
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Policy analysts, academics, journalists, and even politicians lament the influence of money on politics. But in the political economy, politicians often carefully design regulations so that two very different interest groups will be satisfied. The Bootlegger and Baptist theory, an innovative public choice theory developed more than 30 years ago, holds that for a regulation to emerge and endure, both the bootleggers," who seek to obtain private benefits from the regulation, and the Baptists," who seek to serve the public interest, must support the regulation. Economists Adam Smith and Bruce Yandle provide an accessible description of the theory and cite numerous examples of coalitions of economic and moral interests who desire a common goal. The book applies the theory's insights to a wide range of current issues, including the recent financial crisis and environmental regulation, and provides readers with both an understanding of how regulation is a product of economic and moral interests and a fresh perspective on the ongoing debate of how special interest groups influence politics.