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Sin and Secession
Franz von Stuck's erotic paintings, especially Die Sunde, were controversial not only because of the choice of subject; his image concept and the way he presented the Munich Secession set the standard, particularly for Vienna. This catalogue offers an opportunity to examine Von Stuck's works as a whole and in relation to each other.
Double-Edged Comforts
Peeking into the home through the eyes of artists and image-makers, this book unveils the untold story of Italian domestic experiences from the 1940s to the 1970s. Torn between the trauma of World War II and the frenzied optimism of the postwar decades, and haunted by the echoes of fascism, the domestic realm embodied contrasting and often contradictory meanings: care and violence, oppression and emotional fulfillment, nourishment and privation. Silvia Bottinelli casts a fresh light on domestic experiences that are easily overlooked and taken for granted, finding new expressions of home - as an idea, an emotion, a space, and a set of habits - in a variety of cultural and artistic movements, ...
Sottsass
"In order to allow us to listen to our thoughts, someone came up with the idea of inventing words. Someone thought that the sound of the words could in some way represent the wanderings of our thoughts, of some of our thoughts. Someone else got the idea of representing thoughts by making marks, by making them with light, with something you could see. I make marks. What I mean is that I always, and only, draw in order to represent certain thought that pursue me. These thoughts trace out the forms, dimensions, weight, materials, colors and temperatures to use in building the stage onto which I, or we, will drag existence, including - in the theater set - all the furniture, curtains, lamps, and objects in general - you know, vases for flowers, plates for eating, baskets for bread (if there is any) or fruit (if there is any) and so on ... (Ettore Sottsass, 1997)"--Back cover.
Eva Marisaldi
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Anxiety, Angst, Anguish in Fin de Siècle Art and Literature
This volume examines various manifestations of anguish in art, literature, and philosophy. It demonstrates that the experience of anguish manifested itself in a spectacular way in the arts in the late 19th – early 20th centuries. It makes obvious the extraordinary tension between anguish and art. The works discussed here reflect the magnitude of anguish generated by historical events, scientific advancements (especially in psychology), and metaphysical inquiries of the time. Through the invention of new artistic languages, those works also illustrate the fecundity of anguish for artists.
Manzoni
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