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France and the Holy Land
Publisher description
Issues in the Conservation of Paintings
"This volume will be of interest to teachers and students of conservation and art history, as well as to practicing conservators and museum curators, professionals in related disciplines, and others interested in art history and paintings conservation."--BOOK JACKET.
A Companion to the Responses to Ockham
This volume collects twelve chapters that present the multifaceted responses to the works of the William of Ockham in Oxford, Paris, Italy, and at the papal court in Avignon in the 14th century, and it assembles contributions on philosophers and theologians who all have criticized Ockham’s works at different points. In individual case studies it gives an exemplary overview over the reactions the Venerable Inceptor has provoked and also serves to better understand Ockham’s thought in its historical context. The topics range from ontology, psychology, theory of cognition, epistemology, and natural science to ethics and political philosophy. This volume demonstrates that the reactions to Ockham’s philosophy and theology were manifold, but one particular kind of reception is missing: unanimous approval. Contributors include Fabrizio Amerini, Stephen F. Brown, Nathaniel Bulthuis, Stefano Caroti, Laurent Cesalli, Alessandro D. Conti, Thomas Dewender, Isabel Iribarren, Isabelle Mandrella, Aurélien Robert, Christian Rode, and Sonja Schierbaum
The Hybrid Reformation
Three basic forces dominated sixteenth-century religious life. Two polarized groups, Protestant and Catholic reformers, were shaped by theological debates, over the nature of the church, salvation, prayer, and other issues. These debates articulated critical, group-defining oppositions. Bystanders to the Catholic-Protestant competition were a third force. Their reactions to reformers were violent, opportunistic, hesitant, ambiguous, or serendipitous, much the way social historians have described common people in the Reformation for the last fifty years. But in an ecology of three forces, hesitations and compromises were natural, not just among ordinary people, but also, if more subtly, among reformers and theologians. In this volume, Christopher Ocker offers a constructive and nuanced alternative to the received understanding of the Reformation. Combining the methods of intellectual, cultural, and social history, his book demonstrates how the Reformation became a hybrid movement produced by a binary of Catholic and Protestant self-definitions, by bystanders to religious debate, and by the hesitations and compromises made by all three groups during the religious controversy.
The Cappadocian Reshaping of Metaphysics
In this volume, Giulio Maspero explores both the ontology and the epistemology of the Cappadocians from historical and speculative points of view. He shows how the Cappadocians developed a real Trinitarian Ontology through their reshaping of the Aristotelian category of relation, which they rescued from the accidental dimension and inserted into the immanence of the one divine and eternal substance. This perspective made possible a new conception of individuation. No longer exclusively linked to substantial difference, as in classical Greek philosophy, the concept was instead founded on the mutual relation of the divine Persons. The Cappadocians' metaphysical reshaping was also closely linked to a new epistemological conception based on apophaticism, which shattered the logical closure of their opponents, and anticipated results that modern research has subsequently highlighted, Bridging the late antique philosophy with Patristics, Maspero' s study allows us to find the relational traces within the Trinity in the world and in history.
Literature and Artistic Practice in Sixteenth-Century Italy
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Papal Genealogy
The papacy has often resembled a secular European monarchy more than a divinely inspired institution. Roman pontiffs bestowed great wealth on their families and forged strategic alliances with other powerful families to increase their power. Pope Alexander VI (Rodrigo Borgia), for example, forced his daughter Lucrezia into a series of marriages for political reasons. When her marital alliance was no longer advantageous, as was the case in her second marriage, her husband was brutally murdered. Many papal families also intermarried in hopes of forming a hereditary papacy; at least two members of the Fieschi, Piccolomini, Della Rovere, and Medici families served as pope. Papal families since the early history of the church are fully covered in this comprehensive work. Genealogical charts graphically show the descendants of the popes, presenting in many cases the interrelationships between the papal families and their relationships with many of the leading families of Europe. Detailed histories examine the impact of the papacy on each pope's family and how each influenced the history of the church.
History of the Restoration and Conservation of Works of Art
At times controversial and uncompromising, always intellectually honest, Alessandro Conti's book is - astonishingly - the only attempt to comprehensively chart in time, the changing impact of man's desire to preserve for future generations the materials, meaning and appearances of works of art. Remarkable in its meticulous research of source material and breadth of scope, History of the Restoration and Conservation of Works of Arts, translated by Helen Glanville, charts the practices and underlying philosophies of conservation and 'restored' works of art from the Middle Ages to the end of the nineteenth century. In English-speaking countries, a lack of foreign language skills leaves many una...
The Renaissance Portrait
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
