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The Allied Operation Mallory Major (northern Italy, July 1944) aimed at the destruction of all bridges across the Po River and its tributaries and at isolating the enemy in the northern Apennine mountains (the Gothic Line). The Allied Air Forces could count on the ground support of the guerrillas from the Great Partisan Pocket (in the Apennines south of Piacenza) and were opposed by the Flak. This army was led by aging German officers and NCOs leading young non-German women and men in Wehrmacht service: the Czech guards (Regierungstruppe), and the Italian, Slovak, Polish and former Soviet gunners (the Wehrmacht had transferred its German young men to front line units). Yet, this improbable Flak force proved to be effective and supported by Luftwaffe aircraft (outnumbered by at least 10 to 1) it faced both a hailstorm of Allied bombs and guerrilla ground attacks. Women played a major role in this campaign. Axis, guerrillas, and Allied intelligence used women to infiltrate the enemy and as auxiliaries, nurses and fighters. Another aspect of this battle was the Hitler-Beneš confrontation, an intelligence-guerrilla war which took place within the ranks of the Regierungstruppe.
Through meticulously researched case studies, this book explores the materiality of terracotta sculpture in early modern Europe. Chapters present a broad geographical perspective showcasing examples of modelling, firing, painting, and gilding of clay in Portugal, Spain, Italy, Germany, and the Netherlands. The volume considers known artworks by celebrated artists, such as Luca della Robbia, Andrea del Verrocchio, Filipe Hodart, or Hans Reichle, in parallel with several lesser-studied terracotta sculptures and tin-glazed earthenware made by anonymous artisans. This book challenges arbitrary distinctions into the fine art and the applied arts, that obscured the image of artistic production in the early modern world. The centrality of clay in the creative processes of artists working with two- and three-dimensional artefacts comes to the fore. The role of terracotta figures in religious practices, as well as processes of material substitutions or mimesis, confirm the medium’s significance for European visual and material culture in general. This book will be of interest to scholars working in art history, Renaissance studies, and material culture.
Master practical challenges of effectively diagnosing diseases of the head and neck, guided by illustrative algorithms and diagnostic cases.
In 1636, residents at the convent of Santa Chiara in Carpi in northern Italy were struck by an extraordinary illness that provoked bizarre behavior. Eventually numbering fourteen, the afflicted nuns were subject to screaming fits, throwing themselves on the floor, and falling abruptly into a deep sleep. When medical experts' cures proved ineffective, exorcists ministered to the women and concluded that they were possessed by demons and the victims of witchcraft. Catering to women from elite families, the nunnery suffered much turmoil for three years and, remarkably, three of the victims died from their ills. A maverick nun and a former confessor were widely suspected to be responsible, throu...