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New Export China
"New Export China provides a materials-focused framework for contemporary Chinese art, taking works in porcelain by international artists Ai Weiwei, Liu Jianhua, Ah Xian, and Sin-ying Ho as case studies for the role of travel and translation in global artistic practice. Porcelain has long been a vehicle for transmitting cultural knowledge, yet little has been written about its relevance for an era when our interconnection is clearer than ever. Taking a thematic approach, this book positions porcelain art within current debates around archival intervention, artistic authenticity, racial and gender identity, global capital and migrant labor, cultural stereotypes, and ownership of heritage"--
Material Selves
"This interdisciplinary anthology presents 10 chapters from a range of scholars in art history, cultural studies and anthropology to unpack the complex relationship between people and things via an object-centred model of identity. Presenting a global section of case studies, Material Selves confronts vital questions of identity, agency, and materiality, highlighting the way in which we use objects to tell stories, construct myths and make sense of our place in the world. Thus, this path-breaking volume shows how the objects with which we adorn and surround ourselves provide a model for the construction of raced, gendered, and cultured subjectivity"--
Material Selves
"This interdisciplinary anthology presents 10 chapters from a range of scholars in art history, cultural studies and anthropology to unpack the complex relationship between people and things via an object-centred model of identity. Presenting a global section of case studies, Material Selves confronts vital questions of identity, agency, and materiality, highlighting the way in which we use objects to tell stories, construct myths and make sense of our place in the world. Thus, this path-breaking volume shows how the objects with which we adorn and surround ourselves provide a model for the construction of raced, gendered, and cultured subjectivity"--
Jiaohua
None
Pragmatic Imagination and the New Museum Anthropology
Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology’s relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a ‘pragmatic imagination’ at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
Byzantine Intersectionality
"Intersectionality, a term coined in 1989, is rapidly increasing in importance within the academy, as well as in broader civic conversations. It describes the study of overlapping or intersecting social identities such as race, gender, ethnicity, nationality, and sexual orientation alongside related systems of oppression, domination, and discrimination. Together, these frameworks are used to understand how systematic injustice or social inequality occurs. In this book, Roland Betancourt examines the presence of marginalized identities and intersectionality in the medieval era. He reveals the fascinating, little-examined conversations in medieval thought and visual culture around matters of s...
The Versailles Effect
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshape-or even radically redefine-our understanding of the palace of Versailles and its posterity.
Material Cultures of the Global Eighteenth Century
"Things change. Broken and restored, reused and remade, objects transcend their original functions, locations, and appearances. Locating material objects at the heart of the artistic, economic, and demographic tranformations of the eighteenth century, this interdisciplinary volume expands beyond Eurocentric perspectives to discover the mobile, transcultural nature of eighteenth-century art worlds. Across ten diverse essays, each with a distinct scholarly approach, the volume charts new directions for art history and cultural history. Ranging from California to China, Bengal to Britain, the chapters illuminate the transformations within and between artistic media, follow natural and human-made things as they migrate across territories, and reveal how objects catalyzed change in the transoceanic worlds of the early modern period. From porcelain to betel leaves, Chumash hats to natural history cabinets, this path-breaking volume examines how objects embody imperialism, knowledge, and resistance in various ways."--Back cover.
The Allure of Matter
"This publication was produced by the Smart Museum of Art, The University of Chicago, on the occasion of the exhibition The Allure of Matter: Material Art from China, curated by Wu Hung with Orianna Cacchione."
Édouard Vuillard, the Nabis, and the Politics of Domesticity
"Highly influential, and - as this book shows - also politically engaged, the art of the Nabis (1888-1900) lay the groundwork for the transition from impressionism to modernism in French art. This ground-breaking book is the first to address the feminine and feminist politics of domesticity in the Intimiste art of Édouard Vuillard and the Nabis. Personal in motif and decorative in form, Francesca Berry's extensive historical research and skilled visual analysis reveal the social and political, sometimes even feminist, meanings of these artworks. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection and social retreat that for too long have been attached to Nabi Synthetism"--
