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"Contains an itemized list of the births, marriages, and deaths found in approximately 1,000 family Bibles ... The collection spans a period stretching from the early 1700s to the 1900s."--Note to the Reader.
In September 1939, just three weeks after the outbreak of war, Gladys Mason wrote briefly in her diary about events in Europe: 'Hitler watched German siege of Warsaw. City in flames.' And, she continued, 'Had my wedding dress fitted. Lovely.' For Gladys Mason, and for thousands of women throughout the long years of the war, fashion was not simply a distraction, but a necessity - and one they weren't going to give up easily. In the face of bombings, conscription, rationing and ludicrous bureaucracy, they maintained a sense of elegance and style with determination and often astonishing ingenuity. From the young woman who avoided the dreaded 'forces bloomers' by making knickers from military-is...
Produced in conjunction with an exhibition which will open May 3, 2010, Children's Hospital, Boston, Massachusetts.
The unrivaled collection of post-medieval British sculpture in the Victoria and Albert Museum is here catalogued and illustrated for the first time. Its great strengths lie in the works from the 17th, 18th, and 19th centuries, and virtually every major sculptor active during this period is represented -- among them Nicholas Stone, John Michael Rysbrack, Louis Francois Roubiliac, Joseph Wilton, John Flaxman, and Alfred Stevens. A total of 770 pieces by 189 sculptors are included, more than a third of which have never been published before. The catalogue, wide-ranging and scholarly, will serve both as an invaluable work of reference, and in effect a history of the great tradition of sculpture in Britain.
With over 200 color illustrations, Byzantine Silk on the Silk Roads examines in detail the eclectic iconography of the Byzantine period and its impact on design and creativity today. Through an examination of the extraordinary variety of designs in these captivating silks, an international team of experts reveal that Byzantine culture was ever-moving and open to diverse influences across the length of the Silk Road. Commentaries from curators at key collections – including the Museum of Arts, Boston, the Smithsonian (Cooper Hewitt), the V&A and the Vatican – reveal the spread of silk embroidery and designs from East to West, and from West to East, from China to Rome, and from Constantino...