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Three Centuries of Tirso de Molina
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Tirso de Molina
The first comprehensive study of Tirso de Molina and his work in English Tirso de Molina (c.1583-c.1648) may not have written El Burlador de Sevilla, but the works of this prolific author, one of the three pillars of Golden Age Spanish theatre, are notable for their erudition, complex characters, and wit. Informed by a multidisciplinary critical perspective, this volume sets Tirso's plays and prose in their social, historical, literary, and cultural contexts. Contributors from the United States, Canada, the United Kingdom, and Spain offer a state of the art in current scholarship, considering such topics as gender, identity, spatiality, material culture, and creative performativity, among others. The first volume in English to provide a richly detailed overview of Tirso's life and work, Tirso de Molina: Interdisciplinary Perspectives from the Twenty-First Century grounds the reader in canonical theories while suggesting new approaches, attuned to contemporary interests, to his legacy.
No Mere Shadows
Three generations of women in one family are the characters in this intimate historical study of what it meant to be a widow in sixteenth-century Mexico City. Shirley Cushing Flint has used archival research to tell the stories of five women in the Estrada family—a mother, three daughters, and a granddaughter—from the time of the Spanish conquest of Mexico in 1520 until the 1580s. Each was once married and when widowed chose not to remarry. Their stories illustrate the constraints placed upon them both as women and as widows by the religious, secular, and legal cultures of the time and how each refused to be bound by those constraints. Money, influence, knowledge, and connections all come into play as the widows maneuver to hold onto property. Each of their stories illustrates an aspect of Spanish life in the New World that has heretofore been largely overlooked.
Rewriting Theatre
The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations.
Hispanic Review
Includes bibliographical material and "Review."
Romanic Review
None
