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Visions of the Maid
Representations of Joan of Arc have been used in the United States for the past two hundred years, appearing in advertising, cartoons, popular song, art, criticism, and propaganda. The presence of the fifteenth-century French heroine in the cinema is particularly intriguing in relation to the role of women during wartime. Robin Blaetz argues that a mythic Joan of Arc was used during the First World War to cast a medieval glow over an unpopular war, but that she only appeared after the Second World War to encourage women to abandon their wartime jobs and return to the home. In Visions of the Maid, Blaetz examines three pivotal films—Cecil B. DeMille's 1916 Joan the Woman, Victor Fleming's 1948 Joan of Arc, and Otto Preminger's 1957 Saint Joan—as well as addressing a broad array of popular culture references and every other film about the heroine made or distributed in the United States. Blaetz is particularly concerned with issues of gender and the ways in which Joan of Arc's androgyny, virginity, and sacrificial victimhood were evoked in relation to the evolving roles of women during war throughout the twentieth century.
Forging New Freedoms
In several landmark decisions during the mid-1920s, the U.S. Supreme Court significantly expanded the scope of the Constitution's protection of individual freedom by striking down state laws designed to repress or even destroy privateøand parochial schools. Forging New Freedoms explains the origins of na-tivistic hostility toward German and Japanese Americans, Roman Catholics, Lutherans, and other groups whose schools became the object of assaults during and shortly after World War I. The book explores the campaigns to restrict foreign language instruction and to require compulsory public education. It also examines the background of Meyer v. Nebraska and Farrington v. Tokushige, in which t...
Fascism
When the Nazis took power in 1933, most Germans did not foresee the oncoming storm. Many were wildly enthusiastic; some were alarmed; most were worried but trusted that things would work out. In short, they felt much as Americans have felt from time to time. Fascism: Why Not Here? draws parallels between German culture of the early twentieth century and American culture today, concluding that fascism could arise in America--but not through either of the major political parties. While Fogarty postulates that it would take a confluence of events and circumstances to propel Americans into the arms of fascism, he concludes that it is not entirely unlikely. If the war against terrorism were to be...
Memory in German Romanticism
Memory in German Romanticism treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cognitive functions, seek to assemble the elements of one’s own experi...
The Best Short Stories of 1921, and the Yearbook of the American Short Story
"The Best Short Stories of 1921, and the Yearbook of the American Short Story" is an early edition of the most famous short stories of the time picked up and arranged into a collection by Edward Joseph Harrington O'Brien. The selection of O'Brien's stories was trendy among the readers. This issue includes the stores by Sherwood Anderson, Charles J. Finger, Frances Noyes Hart, and others.
African Fundamentalism
The real roots of the Harlem Renaissance lie in,the Garvey Movement. This volume presents a rich,treasury of literary criticism, book reviews,poetry, short stories, music, art appreciation and,polemics on the Black aesthetic and other never,before published literary and cultural writings of,Garvey's Harlem Renaissance.
