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Theatre, Globalization and the Cold War
This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.
Radio and Television Broadcasting on the European Continent
Radio and Television Broadcasting on the European Continent was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In this book Dr. Paulu provides a comprehensive survey based on firsthand study of the development and current status of radio and television broadcasting in continental Europe. He discusses the technical, organizational, financial, and programming aspects of European broadcasting in both Communist and Western countries. The material is organized, not on a country-by-country basis, but as it relates to broad basic is...
Zygmunt Bauman
In this ground-breaking book, Shaun Best analyses the intellectual knowledge production of Zygmunt Bauman and his rise to academic stardom in the English speaking world by evaluating the relation between his biography, the contexts in which he found himself, and why his intellectual creativity is admired by so many people. Bauman has an interesting 'contested' biography and underwent a number of intellectual shifts from the early stages of his academic career as Marxist. Bauman moved on and for almost ten years he was associated with 'postmodernity' (from 1989-1997) but in 2000 he decided to distance himself from postmodernism and rebrand his approach to understanding the contemporary world ...
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