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Alvin Eli Amason
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AskART.com: Alvin Eli Amason
AskART.com presents a biographical sketch of American artist Alvin Eli Amason (1948- ). Additional information for Amason includes a bibliography of publications about the artist, museum holdings, current exhibits, etc. Auction records, including highest prices, are available only to AskART members.
Looking North
The University of Alaska Museum's collection of Alaskan art ranges from two-thousand-year-old ivory carvings to paintings done in the 1990s. Looking North presents 138 of the Museum's most treasured works from the archaeology, ethnology, and fine arts collections. Among them are ancient artifacts as well as 19th- and 20th-century artworks by Athabaskan, Aleut, Yupik, Inupiat, Haida, Tlingit, and other Alaska Natives. Historical painting is represented by the canvases of well-known artists such as Sydney Laurence, Rockwell Kent, and Henry Wood Elliott. Works by George Aghupuk and Florence Malewotkuk are among the Eskimo drawings and watercolors included. Images by James H. Barker and others p...
Creative Alaska
Alaska has long been a nurturing home for artists, with its stunning natural beauty, rich cultural life, and unique communities. In recent years, artists in Alaska have had an additional source of support: the awarding of annual grants to craftsmen, musicians, performers, visual artists, and writers by the Rasmuson Foundation. Creative Alaska profiles the award winners from 2004 to 2013 in three categories: Distinguished Artists, Fellowships, and Project Awards. Richly illustrated accounts of each of the artists and their work illuminate the challenges and opportunities of the artistic life in Alaska and the powerful impact of the Rasmuson Foundation’s support.
Art in Architecture
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The Place of Art in the World of Architecture
An account of the Art-in-Architecture Program of the United States General Services Administration.
Returns
Returns explores homecomings--the ways people recover and renew their roots. Engaging with indigenous histories of survival and transformation, James Clifford opens fundamental questions about where we are going, separately and together, in a globalizing, but not homogenizing, world. It was once widely assumed that tribal societies were destined to disappear. Sooner or later, irresistible economic and political forces would complete the destruction begun by culture contact and colonialism. But aboriginal groups persist, a reality that complicates familiar narratives of modernization. History is a multidirectional process where the word "indigenous," long associated with primitivism and local...
Giinaquq Like a Face
Masks are an ancient tradition of the Alutiiq people on the southern coast of Alaska. Alutiiq artists carved the masks from wood or bark into images of ancestors, animal spirits, and other mythological forces; these extraordinary creations have been an essential tool for communicating with the spirit world and have played an important role in dances and hunting festivities for centuries. Giinaquq—Like a Face presents thirty-three full-color images of these fantastic and eye-catching masks, which have been preserved for more than a century as part of the Pinart Collection in a small French museum. These masks, collected in 1871 by a young French scholar of indigenous cultures, are presented for the first time in their complete cultural context, celebrating the rich history of the Alutiiq people and their artistic traditions. In addition to the stunning photographs, Giinaquq—Like a Face includes an informative text in three languages—English, Alutiiq, and French—in order to provide a cross-cultural understanding of the masks’ traditional meaning and use. This captivating and revealing book will be an essential resource for anyone interested in indigenous art and culture.
St. James Guide to Native North American Artists
Profiling 400 prominent artists of the 20th century, each entry in this reference includes a biographical profile; lists of exhibitions, public galleries and museums; a bibliography of books and articles by and about the entrant; and presents a critical perspective on the artist's work.
An Annotated Bibliography of Inuit Art
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
