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Shedding a Skin
Sometimes you crack. Sometimes you didn't mean to yell that. Sometimes you have to lay low until you've figured it out And sometimes, sometimes you have to hibernate until you've healed. This is a new day. Shedding a Skin is a story for our times. It's a play about finding kindness in unexpected places; about understanding what our elders can teach us; it's new skin honouring old. It's a play about joy, healing and protest. Amanda Wilkin's Shedding a Skin is the 2020 winner of Soho Theatre's acclaimed Verity Bargate Award. The play premiered at Soho Theatre, London, in June 2021.
Recognition
A story about the legacy of Black classical music in Britain and the life of Samuel Coleridge-Taylor, heartbreaking and uplifting in equal measure. The colour of the sonic Black notes voice meeting voice piercing through time At a prestigious music college, where most of her classmates are white, wealthy, and obliviously privileged, Song struggles to relate to the traditional syllabus. When she discovers the composer Samuel Coleridge-Taylor, she learns of the legacy of Black classical music in Britain. His captivating scores inspire her, but the negative voices in her mind still threaten to drown them out. As Samuel's story unfolds alongside Song's own, Recognition asks how we can acknowledge and celebrate those who came before. Amanda Wilkin's beautiful play, co-created with Rachael Nanyonjo and produced by Talawa Theatre Company, premiered at Talawa Studios in Fairfield Halls, London, in June 2023, as part of This is Croydon, London Borough of Culture.
GENEALOGY OF SOME BRANCHES OF
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Genealogy of Some Branches of the Families of Huston, Wilson, Wilkin, Holmes, Wells, Whitaker, Brown
Excerpt from Genealogy of Some Branches of the Families of Huston, Wilson, Wilkin, Holmes, Wells, Whitaker, Brown: Ancestors of James Archibald Huston and Wife, Amanda Wilkin Huston The other Houston ancestor was also name-d John. He emigrated from County Tyrone, Ireland, about 1750, and landed in Charleston, South Carolina. His wife was a Miss Ross. They brought with them from Ireland five children - John, Margaret, James, Mary, Samuel, and the following children were born in the United States: David, Ross and William. David married a Miss Reagen, of a family of the Society of Friends (a connec tion - of the Pugh family of Ohio). In and about Philadelphia there are many Hus'tons who are Fri...
Notelets of Filth
This collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.
The Grinning Man
A strange new act has arrived at Trafalgar Fair's freakshow. Who is Grinpayne and how did he get his hideous smile? With the help of an old puppeteer, his pet wolf and a blind girl, Grinpayne's tale is told. When word spreads across the capital, everything changes. Desperate to know the terrible secrets of his mysterious past, Grinpayne leaves his true love behind and embarks on a journey into an even crueller world - the aristocracy. The Grinning Man is a fairy tale love story streaked with pitch-black humour, lashings of Gothic horror and swashbuckling adventure. It opened at Bristol Old Vic in 2016 to great acclaim and transferred to the West End's Trafalgar Studios in 2017 where it achieved cult status and rave reviews. "Defies theatrical convention by keeping its hand on its heart and its tongue in its cheek." - The Guardian "Blackly comic brilliance." - The Telegraph "The best British score in years" - WhatsOnStage
The Empire
"First performance at the Royal Court Jerwood Theatre Upstairs, Sloane Square, London on 31 March, 2010."
White Teeth
An unforgettable portrait of London and one of the most talked about debuts of all time! 'The almost preposterous talent was clear from the first pages' Guardian On New Years Day 1975, the day of his almost-suicide, life said yes to Archie Jones. Not OK or 'You-might-as-well-carry-on-since-you've-started'. A resounding affirmative. Promptly seizing his second life by the horns, Archie meets and marries Clara Bowden, a Caribbean girl twenty-eight years his junior. Thus begins a tale of friendship, of love and war, of three culture and three families over three generations . . . ***** 'Street-smart and learned, sassy and philosophical all at the same time' New York Times 'Outstanding' Sunday Telegraph 'An astonishingly assured début, funny and serious . . . I was delighted' Salman Rushdie
Restaging Feminisms
Restaging Feminisms offers a re-encounter with the tripartite modelling of liberal, radical, and socialist feminisms foundational to establishing feminist approaches to theatre. This lucid account of past-present connections to the staging of feminism assesses the legacies and renewals of all three feminist dynamics as they intersect with austerity Britain, the Weinstein watershed, and the #MeToo movement. Feminist politics, concepts, and the role of affect in the making of political attachments inform an approach that values understanding feminism’s past as critical to reanimating and restaging socially progressive, feminist futures. The volume includes case studies of productions staged ...
