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The Arab Diaspora
The Arab Diaspora examines the range of roles the Arab world has played to various audiences on the modern and postmodern stage and the issues which have arisen as a result. The variety of roles explored reflects the diversity of Arab culture. With particular focus placed on political, diplomatic and cultural issues, the book explores the relationship between the Arab world and the West, covering topics including: Islam and its common ancestry and relationship with Christianity the varying forms of Arab civilization and its inability in more modern times to fulfil the dreams of nineteenth and twentieth century reformers continued stereotyping of the Arab world within the media. The Arab Diaspora is essential reading for those with interests in Arabic and Middle East studies, and cultural studies.
The Quest for a Lost Identity
Arabic fiction by Palestinian writers in Israel underwent a rebirth with the establishment of the State in 1948 - an event affecting not only the land that had been Palestine, but the entire region. In The Quest for a Lost Identity, Mahmud Ghanayim probes in considerable detail this creative process over the last half-century. Adopting a strictly literary treatment of the new situation, he reconstructs the various stages in the evolution of Palestinian literature and its difficult existence under martial law. Perusing works by such writers as Hanna Ibrahim, Atallah Mansur, Muhammad ?Ali- Taha, Tawfiq Fayyad, Muhammad Naffa Naji Zahir, Riyad Baydas, and others he highlights the efficacity of ...
Traditions and Transitions in Israel Studies
Introduces the cutting edge issues and current scholarship in the interdisciplinary field of Israel Studies.
The Holy Land in Transit
Steven Salaita’s ambitious and thought-provoking work compares the dynamics of settler colonialism in the United States related to Native Americans with the circumstances in Israel related to the Palestinians, revealing the way in which politics influences literary production. The author’s original approach is based not on similarities between the two disparate settler regions but rather on similarities between the rhetoric employed by early colonialists in North America and that employed by Zionist immigrants in Palestine. Meticulously examining histories, theories, and literary depictions of colonialism and its interethnic dialects, Salaita identifies the commonalities in the myths emp...
Roots of the New Arab Film
Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe – Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.
The War of 1948
The 1948 War is remembered in this special volume, including aspects of Israeli-Jewish memory and historical narratives of 1948 and representations of Israeli-Palestinian memory of that cataclysmic event and its consequences. The contributors map and analyze a range of perspectives of the 1948 War as represented in literature, historical museums, art, visual media, and landscape, as well as in competing official and societal narratives. They are examined especially against the backdrop of the Oslo process, which brought into relief tensions within and between both sides of the national divide concerning identity and legitimacy, justice, and righteousness of "self" and "other."
NGOs
In the first historical account of international NGOs, from the French Revolution to the present, Thomas Davies places the contemporary debate on transnational civil society in context. In contrast to the conventional wisdom, which sees transnational civil society as a recent development taking place along a linear trajectory, he explores the long history of international NGOs in terms of a cyclical process characterized by three major waves: the era to 1914, the inter-war years, and the period since the Second World War. The breadth of transnational civil society activities explored is unprecedented in its diversity, from business associations to humanitarian organizations, peace groups to ...
The Prose Works of Gha’ib Tu’ma Farman
Peled-Shapira explores the connections between politics, society and literary expression in the works of the Iraqi writer Gha'ib Tu'ma Farman (1927-1990). As the first Iraqi to have composed a modern novel, a perusal of Farman's oeuvre reveals the artistic techniques through which he depicts the complex relationship between the Leftist intelligentsia and the Iraqi regime in the middle of the twentieth century, a period that for the former meant persecution and exile. Peled-Shapira examines Farman's involvement with Communism and the way he documents the Leftist intellectuals' agenda through literature. At the same time she offers a new detailed reading of his virtuoso use of the Arabic language. This book presents an in-depth study of the unique metaphors and the image of Baghdad, which play a prominent role in Farman's works, and hence paves the way to a better understanding of how this prolific writer coped with the predatory regime and his own inner world. The insights on the theme of exile in the book can also be applied on the lives of other intellectuals in the period in question, in and outside Iraq alike.
The Origins of Israeli Mythology
It is claimed that Zionism as a meta-narrative has been formed through contradiction to two alternative models, the Canaanite and crusader narratives. These narratives are the most daring and heretical assaults on Israeli-Jewish identity. The Israelis, according to the Canaanite narrative, are from this place and belong only here; according to the crusader narrative, they are from another place and belong there. The mythological construction of Zionism as a modern crusade describes Israel as a Western colonial enterprise planted in the heart of the East and alien to the area, its logic and its peoples. The nativist construction of Israel as neo-Canaanism demands breaking away from the chain of historical continuity. These are the greatest anxieties that Zionism and Israel needed to encounter and answer forcefully. The Origins of Israeli Mythology seeks to examine the intellectual archaeology of Israeli mythology, as it reveals itself through the Canaanite and crusader narratives.
