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Women, Trauma and Visual Expression
WOMEN, TRAUMA & VISUAL EXPRESSION discusses the hows and whys of women artists' visual expressions of personal, cultural, and collective trauma. Drawing from extensive research, ambitious surveys, interviews, and personal experience, Amy Stacey Curtis explores trauma's history, content, symbols, archetypes, patterns, work process, and stigma, in the context of women artists and their imagery.
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A Girl's Worth
Kate Johnson was starting junior high with feelings of excitement and trepidation. But she quickly learned that an intelligent, overweight Black girl did not fit the criteria for being one of the popular kids. Thinking that changing herself would make her popular, Kate tried dieting and dummying down. In the end, she returned to doing the things she did best, and found her own happiness and success.
Little Women
Part of the Gibbs Smith Women's Voices series: A collection of literary voices written by, and for, extraordinary women—to encourage, challenge, and inspire. Louisa May Alcott (1832–1888) published more than thirty books in her lifetime, but it was her “girls’ story” (written at the request of her publisher), Little Women, that has captured the imagination of millions of readers. This coming-of-age story spotlights beloved tomboy Jo March (arguably America’s first juvenile heroine and a reflection of a young Alcott herself) and Jo’s three sisters—Meg, Beth, and Amy—in a heartwarming family drama. Originally published in two parts, in 1868 and 1869, Little Women has never been out of print. Continue your journey in the Women’s Voices series with Jane Eyre, by Charlotte Bronte (ISBN: 978-1-4236-5099-7), The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Hope Is the Thing with Feathers, the complete poems of Emily Dickinson (ISBN: 978-1-4236-5098-0), and The Yellow Wallpaper and Other Writings, by Charlotte Perkins Gilman (ISBN: 978-1-4236-5213-7).
The Changing MO of the CMO
MaryLee Sachs explores the relationship and increasing blur between the marketing discipline and the public relations profession. How do the two mix? What is their role in a world where the growth of digital and social media has contributed to an increasing lack of control over how brands are perceived? Drawing on the experiences of Chief Marketing Officers (CMOs) from 10 iconic organizations with business and consumer brands across the globe, The Changing MO of the CMO explores how some organizations are making the most of a blended approach to communications and marketing and how CMOs can respond to and prepare for their new responsibilities. It illustrates how PR can provide: ¢ authentic...
Emerging Dis/order
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Jasmine's Tears
The Crestwood Heights apartment complex plays host to some of the more seedier elements that Chicago has to offer. The cracks and crevasses between the buildings are a breeding ground for prostitution, drug addiction, and the mediums who profit from such decay. It also happens to be the place Jasmine Fisher calls home. Trapped in its world of over indulgence and self destruction, it's all she can do to keep her sanity and hold on to what passes as her life while struggling to break free from the hold that the dark corridors and crime-ridden alleyways of Crestwood Heights has on her. With no father in the house, a kid sister looking to head down the same decrepit path that engulfed her, and a...
