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Library of Congress copy signed by the author.
Introduces a distinctive voice in Eastern European poetry.
This contribution to imagology, the science which deals with images and stereotypes that people have of a nation, examines the complicated game of mirroring that both the British and the Romanians play when trying to define themselves and others, drawing on national images as reflected in fiction. R
Ana Blandiana is one of Romania's foremost poets, a leading dissident before the fall of Communism, and now one of her country's strongest candidates for the Nobel Prize. A prominent opponent of the Ceaușescu regime, Blandiana became known for her daring, outspoken poems as well as for her courageous defence of ethical values. Over the years, her works have become the symbol of a moral consciousness that refuses to be silenced by a totalitarian government. The Shadow of Words covers Blandiana's early collections published from 1964 to 1981, as well as including uncollected poems from that period which only appeared in anthologies. It follows My Native Land A4 (2014), The Sun of Hereafter - ...
Ana Blandiana is one of Romania's foremost poets, her country's strongest candidate for the Nobel Prize. This book brings together her two recent collections The Sun of Hereafter and Ebb of the Senses in one volume. These are the two collections she published in Romania immediately before My Native Land A4.
Of an earlier book, Terry Eagleton wrote: 'Philip Gross knows how to make silence and suggestion resonate... he touches an alien, intractable dimension...Gross's poems are about lost bearings and blurred frontiers...a landscape bereft of assured relationships, haunted by the just-missedness of human contact' (Independent on Sunday). These new poems reach towards closer engagement, whether with the realities of Estonia, his father's birthplace - visited for the first time - or with other loves and longings, never uncomplicated but handled even at their most difficult with tenderness and wit, nowhere more so that in the title-sequence about his daughter's struggle with anorexia. In the end, this is a book of life and hope.
Rooted in the performative of Speech Act Theory, this interdisciplinary study crafts a new model to compare the work we do with words when we protest: across genres, from different geographies and languages. Rich with illustrative examples from Turkey, U.S., West Germany, Romania, Guatemala, Great Britain, and Northern Ireland, it examines the language of protest (chants, songs, poetry and prose) with an innovative use of analytical tools that will advance current theory. Operating at the intersection of linguistic pragmatics and critical discourse analysis this book provides fresh insights on interdisciplinary topics including power, identity, legitimacy and the Social Contract. In doing so it will appeal to students and scholars of sociolinguistics, pragmatics and critical discourse analysis, in addition to researchers working in sociology, political science, discourse, cultural and communication studies.
Twenty stories from Romania, mixing political satire with folklore. They range from Ana Blandiana's The Phantom Church, on a not-so-miraculous miracle, to Mircea Cartarescu's The Game, which is a tale of rivalry between boys.
The PEN Literary Award–winning author “writes with honesty, intelligence, tenderness, and love” about her Colombian-Cuban heritage and queer identity in this poignant coming-of-age memoir (Sandra Cisneros, author of The House on Mango Street). In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and...