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Living Matter
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This g...
Decisiones en conservación y restauración
El libro reúne a especialistas interesados en compartir nociones conceptuales, mecanismos, metodologías y conflictos actuales de la conservación y restauración de objetos culturales, con la finalidad de transparentar sus procedimientos e interrogantes.
Construir teoría
None
Modern Art - who Cares?
Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.
Endangered heritage
None
Teaching and Learning STEM
The widely used STEM education book, updated Teaching and Learning STEM: A Practical Guide covers teaching and learning issues unique to teaching in the science, technology, engineering, and math (STEM) disciplines. Secondary and postsecondary instructors in STEM areas need to master specific skills, such as teaching problem-solving, which are not regularly addressed in other teaching and learning books. This book fills the gap, addressing, topics like learning objectives, course design, choosing a text, effective instruction, active learning, teaching with technology, and assessment—all from a STEM perspective. You’ll also gain the knowledge to implement learner-centered instruction, wh...
New Interchange Level 1 Student's Book 1
New Interchange is a multi-level series for adult and young-adult learners of English from the beginning to the high-intermediate level. The Level 1 Student's Book builds on the foundations established in the Intro for accurate and fluent communication, extending grammatical, lexical, and functional skills. Beautiful color photographs and illustrations facilitate the teaching of new vocabulary. The New Interchange series teaches students to use English for everyday situations and purposes related to school, work, social life, and leisure. As with the other levels of New Interchange, a complete set of ancillaries, including a video program, is available to make classes interesting and productive.
ICOM Code of Ethics for Museums
Contains minimum standards of professional practice and performance for museums and their staff.
Naked in Paradise
The original new age nudist movement in Switzerland.
Grupo Proceso Pentágono
This retrospective is based on the Mexican art collective movement "Grupo Proceso Pentágono", which emerged in the late 1960's and was characterized by artistic experimentation and social critique. Some of the artists who participated in this movement, and whose work makes up this exhibition are Felipe Ehrenberg, Carlos Finck, José Antonio Hernández Amezcua, Víctor Muñoz, Carlos Aguirre, Miguel Ehrenberg, Lourdes Grobet, Rowena Morales and Rafael Doniz. This book represents "the first comprehensive exhibition of the production and archive of a collective that was characterized by maintaining a critical, analytical and argumentative stance in the face of State policy. Through the interweaving of documentary material and artistic works that form part of the museographer proposition, the exhibition accounts for more than 32 pieces created between 1969 and 2015. It is a record of the working process that characterized the dynamic of the Grupo, and examines the legacies of conceptual art in the artistic practices of our country, practices that restored the relationship of exchange and collaboration with Latin American artists, between the seventies and eighties."--Page 4 of cover.
