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Flute For Dummies
An excellent primer for those with little or no experience playing the flute Always wanted to play the flute? Are you a former flautist who wants to refresh your skills? Flute For Dummies is the guide for you. Following along with the book's accompanying CD, you will learn the nuances of playing the flute as an accompanying instrument or for playing a solo, in a variety of musical styles. Readers will learn how to play, step-by-step – from the correct angle for blowing into the mouthpiece and controlling pitch, to proper breathing, creating vibrato, and much more The book's accompany CD allows readers to play what they are learning, and listen to the accompanying track to see if they're getting it right Karen Moratz is Principal Flutist with the Indianapolis Symphony Orchestra and Artist in Residence and Adjunct Professor of Flute at the School of Music/Jordan College of Fine Arts at Butler University Easy-to-understand methods and instructions make learning to play this beautiful instrument as simple and straightforward as possible!
The Simple Flute
A practical, concise, and comprehensive guide for flutists.
Diagrammatik des Denkens
In der Geschichte des Denkens gibt es mindestens zwei große Brüche - verbunden mit den Namen Descartes und Deleuze. Das spezifisch Neue in ihrem Denken herauszuarbeiten, ist das methodische Verdienst der Diagrammatik des Denkens von André Reichert. Er erschließt die Philosophien von den Diagrammen her, die sie hervorbringen, was auch nicht-visuelle, in den Texten implizite diagrammatische Strukturen einschließt. Die Studie liefert einerseits das Rüstzeug, um auch andere Diagrammatiken zu untersuchen. Indem sie die philosophische Beziehung von Deleuze zu Descartes entfaltet, stellt sie andererseits einen innovativen Beitrag zur Theorie der Diagrammatik dar.
Soloflute - A Musical Journey
Josephine Bailey was born in Berkshire in 1965. She now lives in a quiet cul-de-sac in Staffordshire with her partner and two boys and works as a musician and music teacher. Soloflute is Josephine's story with hints and tips for budding musicians. Music has been the hub of her life from the age of 7 and she wanted to share her love for music with you, the reader. Anyone who is interested in music, playing the flute or woodwind instruments in general will find information in this book which is both interesting and informative as it outlines how Josephine's personal achievements have allowed her to pursue a fulfilling life in music.
Strong on Music
In this second volume of Strong on Music, Vera Brodsky Lawrence carries into the 1850s her landmark account of the nineteenth-century New York music scene. Using music entries from George Templeton Strong's famous journals—most published here for the first time—as a point of departure, Lawrence provides a vivid portrait of a vibrant musical culture. Each chapter presents one year in the musical life of New York City, with Lawrence's extensive commentary enriched both by excerpts from Strong's diaries and a lavish selection of little-known music criticism and comment from the period. The reviews, written by an often truculent, sometimes venal tribe of music journalists, cover the entire w...
American Orchestras in the Nineteenth Century
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in ni...
The Diaries of Giacomo Meyerbeer: The years of celebrity, 1850-1856
Volume 3 covers a time span that preeminently represents the period in the composer's life known as The Years of International Fame (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.
